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The portion symbols of mental experience leaves considerable room for interpretive maneuver. This chapter concerns with a modest Italian popular song, specifically a villotta, one of various lighter types of music in the sixteenth and early seventeenth centuries. Adonai con voithus it beginsradiates joviality and at first blush appears innocuous; one might easily pass it by. The chapter concentrates on the verses rather than the music, which, in the present case, is fragmentaryelude a facile explanation: they intimate more than they disclose. In its poetry and music Adonai con voi exemplifies what Alfred Einstein, with his fine-tuned sensibility to varying ethnic types in sixteenth-century Italian lyric poetry, called an ebraica, or song about Jews. The use of adonai should be related to that of barucaba , an even more potent expression of Jewishness. The chapter proposes an almost heterodox explanation for the climactic word barucaba . Keywords: Adonai con voi; barucaba ; Italian popular song; sixteenth-century Italian lyric poetry; villotta
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