Part 1 The Chantrey episode: art classification, museums and the state circa 1870-1920 the origins of the early picture gallery catalogue in Europe, and its application in Victorian Britain the devaluation of cultural capital - postmodern democracy and the art blockbuster the collection despite Barnes - from private preserve to blockbuster the public interest in the art museums' public audiences - a curatorial dilemma extending the frame - forging a new partnership with the public revolutionary vandalism and the birth of the museum Rome, the archetypal and the Louvre, the negation of division the historicality of art - Royal Academy (1780-1836) and Courtauld Institute Galleries (1990 - ...) at Somerset House. Part 2 Reviews edited by Eilean Hooper-Greenhill: He shoots! ... he scores! - Toronto's new Hockney Hall of Fame is a winner St Mungo's Museum of Religious Art and Life from Petrarch to Huizinga - the visual arts as an historical source report on the conference To the genealogy of the museum, Nationalmuseet Copenhagen, 23-25 September 1993.
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