Media Ecologies: Materialist Energies in Art and Technoculture (Leonardo Books)

Abstract

ion, 66, 69, 71, 97, 103 as transduction, 79 A Camera Recording Its Own Condition (7 apertures, 10 speeds, 2 mirrors), 7, 58–60, 73, 75, 78, 80–84, 88, 110, 156, 171 illustration of (fig. 2.1), 59 as phase space, 76 Acconci, Vito, 13 Adorno, Theodor, 139 Affordance, 7, 45, 56, 169 of container, 97 of keypad, 48–49 of street lighting, 89 Alphabet, 42, 48–49, 50, 61, 156 Alternative technology, 91 Althusser, Louis, 21 Apparatus, 55–57, 58, 62, 75–76, 81–83, 101, 165, 171 and history, 64 Appropriation, 65 Aragon, Louis, 139 Arendt, Hannah, 146 Arnheim, Rudolf, 32 Art catalog (as medial device), 58 Artificial intelligence, 101 Artificial life, 71, 111 Art methodologies, 74 Art systems, 74, 160, 169, 176 documents of, 126 economies of, 120 Aunger, Robert, 111–112 Baker, Rachel, 125 Bakhtin, Mikhail, 116, 156, 161, 170 Ballard, J. G., 14 BANGBANGnetwork, 100 Banton, Buju, 31–32 Bateson, Gregory, 5 Beatboxing, 30 Bell, Alexander Graham, 42 Benjamin, Walter, 30, 138–140 BITRadio, 8, 99–100, 102–103 Bjork, 19 Blackmore, Susan, 109, 111–115, 116, 132, 156 Bloch, Maurice, 156–157 Bolter, Jay David, and Richard Grusin, 117 Bookchin, Murray, 91 Books, as media ecology, 11, 61 BP, 158 Brecht, Berthold, 25, 41 Brener, Alexander, 109 British Standards Institute, 93 Index

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 4 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.