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Elizabeth Simcoe and Elizabeth Hale's drawings and watercolours are primarily esteemed as early descriptions of Canada. This paper extracts additional meaning from Simcoe and Hale's pictures by addressing their gendered experiences as British women at the turn of the eighteenth century. The author argues that shifts in their conceptions of femininity are reflected in their landscapes.
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Stored only when both papers are in the corpus — 1 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.