Exaltación y triunfo de la Virgen: la carroza de Nuestra Señora de la Concepción de Navalcarnero

Juan Luis Blanco Mozo

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Historical Art and Architecture Studies Latin American history and culture Early Modern Spanish Literature

Abstract

From second half of century XVII the brotherhood of the Immaculate Conception of Navalcarnero found in the Baroque Art a inestimabel ally to express its religious devotion. Their capricious forms gave answer to a raised cult and triunfal that has one of its better examples in the float of the Virgin, made by Mateo de medina. A key piece to undestand the Rococo tendency and the influence exerted by the stamps of the "Método sucinto y compendioso" of fray Matías de Irala.

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