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Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable
4 references·5 citing·32 second hop
Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable (2012)Analyse in situ des dessins préhistorique…Characterization and origin of black and red Magdalenian pigments from Grottes de la Garenne (Vallée moyenne de la Creuse-France): a mineralogical and geochemical approach of the study of prehistorical paintings (2011)Characterization and origin o…A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects (2008)A portable instrument for in …Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France (2006)Preliminary investigations by…Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France) (2001)Manganese Black Pigments in P…Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain (2022)Critical evaluation of in sit…In situ XRF study of black colouring matter of the Palaeolithic figures in the Font-de-Gaume cave (2021)In situ XRF study of black co…Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art: a case study at the Points cave (Aiguèze, Gard, France) (2021)Contribution and limits of po…Relative chronology of Palaeolithic drawings of the Great Ceiling, Rouffignac cave, by chemical, stylistic and superimposition studies (2019)Relative chronology of Palaeo…Non-Destructive Portable Analytical Techniques for Carbon In-Situ Screening Before Sampling for Dating Prehistoric Rock Paintings (2013)Non-Destructive Portable Anal…XRD study of the goethite-hematite transformation: Application to the identification of heated prehistoric pigments (1998)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Identification of black pigments on prehistoric Southwest American potsherds by infrared and Raman microscopy (2004)PIXE identification of the provenance of ferruginous rocks used by Neanderthals (2014)Raman microscopy of prehistoric paintings in French megalithic monuments (2015)The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review (2023)Analysis of art objects using a portable x-ray fluorescence spectrometer (2000)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Recent progress in instrumental techniques for architectural heritage materials (2019)Analysis of rock art painting and technology of Palaeolithic painters (2003)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)The multidisciplinary origin of soil geography: A review (2017)Infrared Reflectography: a Method for the Examination of Paintings (1968)The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)Micro‐Raman spectroscopy of carbon‐based black pigments (2012)Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain) (2012)The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)Improving the characterization of red coloring matter from prehistoric cave art by means of laboratory confocal XRF depth profiling combined with synchrotron XRF imaging (2024)An Introduction to X-Ray Fluorescence (XRF) Analysis in Archaeology (2010)X-Ray Fluorescence Spectrometry (XRF) in Geoarchaeology (2010)Archaeological and Anthropological Sciences (2013)A geological collection and methodology for tracing the provenance of Palaeolithic colouring materials (2021)Standardization Procedure to Provide a Unified Multi-Method Elemental Compositional Dataset, Application to Ferruginous Colouring Matters from Namibia (2021)The Chronology and Taphonomy of the Earliest Aurignacian and Its Implications for the Understanding of Neandertal Extinction (1999)Silo science and portable XRF in archaeology: a response to Frahm (2012)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain) (2022)Laser Ablation-Inductively Coupled Plasma Mass Spectrometry for the Characterization of Pigments in Prehistoric Rock Art (2007)The first in situ micro-Raman spectroscopic analysis of prehistoric cave art of Rouffignac-St-Cernin, France (2012)Selection and Use of Manganese Dioxide by Neanderthals (2016)
this work references cited by second hop

References

  • 2006Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France113 cited
  • 2008A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects101 cited
  • 2001Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France)51 cited
  • 2011Characterization and origin of black and red Magdalenian pigments from Grottes de la Garenne (Vallée moyenne de la Creuse-France): a mineralogical and geochemical approach of the study of prehistorical paintings36 cited

Cited by

  • 2013Non-Destructive Portable Analytical Techniques for Carbon In-Situ Screening Before Sampling for Dating Prehistoric Rock Paintings19 cited
  • 2019Relative chronology of Palaeolithic drawings of the Great Ceiling, Rouffignac cave, by chemical, stylistic and superimposition studies19 cited
  • 2022Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain17 cited
  • 2021Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art: a case study at the Points cave (Aiguèze, Gard, France)17 cited
  • 2021In situ XRF study of black colouring matter of the Palaeolithic figures in the Font-de-Gaume cave15 cited

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