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Switching codes: thinking through digital technology in the humanities and the arts
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Switching codes: thinking through digital technology in the humanities and the arts (2012)Switching codes: thinking through digital…Content Authenticities: A Discussion on the Values of Provenance Data for Creatives and Their Audiences (2025)Content Authenticities: A Dis…Bringing the past to life: The rhetorical construction of authenticity through digital media in museum exhibitions (2025)Bringing the past to life: Th…Exploring Authenticity Through Classical Art: Originals, Fakes and Copies (2021)Exploring Authenticity Throug…Processo Criativo e Documentação: arquivamento digital em teatro musicado (2020)Processo Criativo e Documenta…The Untold Heritage Value and Significance of Replicas (2019)The Untold Heritage Value and…‘A Good Enough Fix’: Repair and Maintenance in Librarians’ Digitization Practice (2018)‘A Good Enough Fix’: Repair a…With and Without Walls: Photographic Reproduction and the Art Museum (2013)With and Without Walls: Photo…Beyond the Glass Case: Museums as Playgrounds for Replication (2013)Beyond the Glass Case: Museum…Towards a vocabulary of limitations: the translation of a painted goddess into a symbol of classical education (2011)Towards a vocabulary of limit…The Social Life of Things (1986)Destination Culture: Tourism, Museums, and Heritage (1999)Digitisation and Sharing of Collections: Museum Practices and Copyright During the COVID-19 Pandemic (2023)From The Emancipated Spectator (2025)Homo Ludens: A Study of the Play-Element in Culture. (1951)Frame Analysis: An Essay on the Organization of Experience (1975)Vibrant Matter (2010)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Science in Action (1987)Reassembling the Social (2005)Negotiating Culture, Assembling a Past: The Visual, the Non-visual and the Voice of the Silent Actant (2012)Construing Cultural Heritage: The Stagings of an Artist: The Case of Ivar Arosenius (2021)We have never been modern (1994)Epistemic Cultures (1999)Epistemic cultures: how the sciences make knowledge (1999)The Past is a Foreign Country (1986)Memorylands (2013)Burra Charter: The Australia ICOMOS Charter for Places of Cultural Significance (1999) (2014)Museums and Agenda of the Civilization Dialogue: A Functional Approach (2020)Threads of Tradition (2024)The Antitheatrical Prejudice (1984)A Companion to Digital Humanities (2004)The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble’s Changing Roles as a Theatre Company (2016)The Transfiguration of The Commonplace (1974)Music, Art, and Metaphysics: Essays in Philosophical Aesthetics (1992)The Oxford Handbook of Aesthetics (2004)Judgment under uncertainty: Heuristics and biases (1982)The Language of New Media (2002)Thematic Analysis (2022)Reading images: the grammar of visual design (1996)Abductive Analysis (2014)An Introduction to Functional Grammar (2014)
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Cited by

  • 2019The Untold Heritage Value and Significance of Replicas24 cited
  • 2013With and Without Walls: Photographic Reproduction and the Art Museum10 cited
  • 2025Content Authenticities: A Discussion on the Values of Provenance Data for Creatives and Their Audiences8 cited
  • 2011Towards a vocabulary of limitations: the translation of a painted goddess into a symbol of classical education5 cited
  • 2021Exploring Authenticity Through Classical Art: Originals, Fakes and Copies3 cited
  • 2025Bringing the past to life: The rhetorical construction of authenticity through digital media in museum exhibitions3 cited
  • 2020Processo Criativo e Documentação: arquivamento digital em teatro musicado2 cited
  • 2018‘A Good Enough Fix’: Repair and Maintenance in Librarians’ Digitization Practice2 cited
  • 2013Beyond the Glass Case: Museums as Playgrounds for Replication2 cited

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