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A portable device for on site detection of chicken ovalbumin in artworks by chemiluminescent immunochemical contact imaging
16 references·1 citing·45 second hop
A portable device for on site detection of chicken ovalbumin in artworks by chemiluminescent immunochemical contact imaging (2015)A portable device for on site detection o…Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Identification of animal glue…Organic Chemistry of Museum Objects (2012)Organic Chemistry of Museum O…An advanced multivariate approach for processing X-ray fluorescence spectral and hyperspectral data from non-invasive in situ analyses on painted surfaces (2012)An advanced multivariate appr…Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Laser spectroscopies for elem…In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)In Situ Noninvasive Study of …Immunodetection of Proteins in Ancient Paint Media (2010)Immunodetection of Proteins i…Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA) (2010)Development of an analytical …An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)An integrated spectroscopic a…An improved method of protein localization in artworks through SERS nanotag-complexed antibodies (2010)An improved method of protein…GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)GC/MS Analytical Procedure fo…Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Analytical Methods for the Ch…Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging (2008)Ultrasensitive chemiluminesce…Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)Identification of binding med…Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of proteinac…Ion chromatography characterization of polysaccharides in ancient wall paintings (2002)Ion chromatography characteri…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Immunochemical Micro Imaging Analyses for the Detection of Proteins in Artworks (2016)Immunochemical Micro Imaging …National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Painting Materials: A Short Encyclopedia (2011)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Archaeological Chemistry (1996)Modern analytical methods in art and archaeology (2000)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Cultural Heritage Applications of LIBS (2014)Time-Resolved Photoluminescence Spectroscopy and Imaging: New Approaches to the Analysis of Cultural Heritage and Its Degradation (2014)Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties (2017)The Gas Chromatographic Examination of Paint Media. 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Fatty Acid Composition and Identification of Dried Oil Films (1966)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes (1998)Analytical characterization of binding medium used in ancient Chinese artworks by pyrolysis–gas chromatography/mass spectrometry (2006)Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media (2008)In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)Pigment Compendium: A Dictionary of Historical Pigments (2007)The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Organic Mass Spectrometry in Art and Archaeology (2009)Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Analytical chemistry in the field of cultural heritage (2015)The Characterization of Metal Soaps (2003)Pigment Compendium (2008)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Non invasive analysis of miniature paintings: Proposal for an analytical protocol (2012)Non-invasive identification of plastic materials in museum collections with portable FTIR reflectance spectroscopy: Reference database and practical applications (2015)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes (2010)A review of solvent action on oil paint (2020)
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References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2009Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles257 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2012Organic Chemistry of Museum Objects164 cited
  • 2009GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media147 cited
  • 2011Laser spectroscopies for elemental and molecular analysis in art and archaeology129 cited
  • 2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
  • 2010Immunodetection of Proteins in Ancient Paint Media98 cited
  • 2010An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques83 cited
  • 2004Identification of binding media in works of art by gas chromatography?mass spectrometry65 cited
  • 2010Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA)53 cited
  • 2010An improved method of protein localization in artworks through SERS nanotag-complexed antibodies48 cited
  • 2013Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA)

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47 cited
  • 2002Ion chromatography characterization of polysaccharides in ancient wall paintings47 cited
  • 2008Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging46 cited
  • 2012An advanced multivariate approach for processing X-ray fluorescence spectral and hyperspectral data from non-invasive in situ analyses on painted surfaces43 cited
  • Cited by

    • 2016Immunochemical Micro Imaging Analyses for the Detection of Proteins in Artworks9 cited