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Nang Nak —Ghost Wife: Desire, Embodiment, and Buddhist Melancholia in a Contemporary Thai Ghost Film
16 references·1 citing·33 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1999Ghostly Matters: Haunting and the Sociological Imagination4,341 cited
  • 1995Siam Mapped: A History of the Geo-Body of a Nation.1,843 cited
  • 2008The Female Complaint1,580 cited
  • 1976World Conqueror and World Renouncer812 cited
  • 1992Crimes of Writing: Problems in the Containment of Representation.214 cited
  • 1996Bewitching Women, Pious Men: Gender and Body Politics in Southeast Asia181 cited
  • 1998The Red Thread179 cited
  • 1992Buddhism, sexuality, and gender149 cited
  • 2000Religion and the Body132 cited
  • 2004Democracy and national identity in Thailand132 cited
  • 2007Remembering the Historical Present130 cited
  • 2010Translating time: cinema, the fantastic, and temporal critique129 cited
  • 1992The legend and cult of Upagupta: Sanskrit Buddhism in North India and Southeast Asia112 cited
  • 1999Charming Cadavers: Horrific Figurations of the Feminine in Indian Buddhist Hagiographic Literature66 cited
  • 2000Queer Dharma : voices of gay Buddhists

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  • 2023Deconstructing fear in Indonesian cinema: Diachronic analysis of antagonist representations in half a century of Indonesian horror films 1970-20206 cited