Clothes and Identity: The Case of the Greeks in Ionia c. 400 BC

Abstract

Abstract The capacity of the individual to maintain several identities concurrently is well established, as is the ability of dress to reflect (passively) or to announce (actively) the social identities of its bearer. Within a multi-national structure such as the Achaemenid Persian Empire the semiosis of dress is especially complex. Since dress functions as a form of non-verbal communication, study of the language of dress of past cultures must appeal to the widest possible range of literary and visual sources. Analysis of the visual arts within the Persian sphere shows careful attention to vestimental definition of the Iranian ‘dominant ethno-class’ and its separation from the dress of the subject peoples in the western empire. Artistic and literary evidence for the Greek and West Anatolian experience of the Persian Empire testifies to the extent of the Persian presence in the west. It also shows the cultural flexibility of the local populations, who might occasionally emulate the Persian model by adopting Persian dress while retaining the traits of their traditional cultures.

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