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Screening Ireland: Film and Television Representation
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Screening Ireland: Film and Television Representation (2003)Screening Ireland: Film and Television Re…The Cambridge History of Ireland (2018)The Cambridge History of Irel…The language of Irish films (2017)The language of Irish filmsThe production ofEk Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries (2016)The production ofEk Tha Tiger…Irish Society as Portrayed in Irish Films (2016)Irish Society as Portrayed in…Constructing the ‘other’: construction of Russian identity in the discourse of James Bond films (2014)Constructing the ‘other’: con…‘It's a Film’: Medium Specificity as Textual Gesture inRed RoadandThe Unloved (2012)‘It's a Film’: Medium Specifi…Nature Tourism And Irish Film (2006)Nature Tourism And Irish FilmSighting an Irish Avant-Garde in the Intersection of Local and International Film Cultures (2004)Sighting an Irish Avant-Garde…PHOTOGRAPHIC HISTORY AND THE VISUAL APPEARANCE OF AN IRISH NATIONALIST DISCOURSE 1840–1870 (2004)PHOTOGRAPHIC HISTORY AND THE …Arguing with Ethnography: The Films of Bob Quinn and Pierre Perrault (2003)Arguing with Ethnography: The…In the Name of the Family: Masculinity and Fatherhood in Contemporary Northern Irish Films (2001)In the Name of the Family: Ma…Experimental Ethnography: The Work of Film in the Age of Video (1999)Islands and Exiles: The Creole Identities of Post/Colonial Literature (2000)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Language and Power (1989)Discourse (2005)Critical Discourse Analysis (2015)Social actors in an Intercultural Communication classroom: A discursive lens of intercultural education (2018)Racializing heterosexuality: Non-normativity and East Asian characters in James Bond films (2019)The Soviet Woman in Bond Films (2020)Emigrants and Exiles: Ireland and the Irish Exodus to North America (1986)Art after Modernism: Rethinking Representation (1991)Transformations in Irish culture (1996)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Burden of Representation (1988)The Work of Art in the Age of Mechanical Reproduction (2007)THE GREAT FAMINE (2010)The photographic portrait: a means to surveillance and subversion (2018)La sociedad de vidrio. El fotógrafo migrante Eugène Courret y la construcción de la memoria visual y las identidades en Perú durante la segunda mitad del siglo XIX (2021)The Beaten Track (1993)Landscape and memory (1995)Empty Meeting Grounds (2002)Irish Film (2000)Belfast English and standard English : dialect variation and parameter setting (1995)Belfast English and Standard English (1995)Overhearing Film Dialogue (2000)10. It’s gems like this that make me wish I hadn’t left Ireland!: Humorous representations of Irish English and their role in diasporic identities (2020)Irish English in the Media (2023)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Case Study Research: Design and Methods (1984)Strategic management a stakeholder approach (2010)SO WEIRD; SO COOL; SO INNOVATIVE: THE USE OF INTENSIFIERS IN THE TELEVISION SERIESFRIENDS (2005)Television Dialogue (2009)Data collection in sociolinguistics : methods and applications (2013)Language Ideology in the Discourse of Popular Culture (2019)World Englishes in the Media (2019)Speech-unit finallikein Irish English (2020)The Interpretation of Cultures (1974)On Collective Memory (1992)The Culture of Control (2001)Playing Vikings (2019)The Decline of the Irish Language in the Nineteenth Century (2023)
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Cited by

  • 2018The Cambridge History of Ireland47 cited
  • 2014Constructing the ‘other’: construction of Russian identity in the discourse of James Bond films29 cited
  • 2006Nature Tourism And Irish Film16 cited
  • 2001In the Name of the Family: Masculinity and Fatherhood in Contemporary Northern Irish Films11 cited
  • 2016Irish Society as Portrayed in Irish Films10 cited
  • 2004Sighting an Irish Avant-Garde in the Intersection of Local and International Film Cultures10 cited
  • 2004PHOTOGRAPHIC HISTORY AND THE VISUAL APPEARANCE OF AN IRISH NATIONALIST DISCOURSE 1840–18709 cited
  • 2003Arguing with Ethnography: The Films of Bob Quinn and Pierre Perrault9 cited
  • 2017The language of Irish films8 cited
  • 2016The production ofEk Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries8 cited
  • 2012‘It's a Film’: Medium Specificity as Textual Gesture inRed RoadandThe Unloved8 cited

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