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Dress, Distress and Desire: Clothing and the Female Body in Eighteenth-Century Literature
0 references·4 citing·18 second hop
Dress, Distress and Desire: Clothing and the Female Body in Eighteenth-Century Literature (2005)Dress, Distress and Desire: Clothing and …Comparative Gender in Maria Edgeworth’s Belinda (2014)Comparative Gender in Maria E…The Muff Affair: Fashioning Celebrity in the Portraits of Late-eighteenth-century British Actresses (2009)The Muff Affair: Fashioning C…Women's Pockets and the Construction of Privacy in the Long Eighteenth Century (2008)Women's Pockets and the Const…Rags of Immortality: Clarissa’s Clothing and the Exchange of Second-Hand Goods (2007)Rags of Immortality: Clarissa…Toward an Anthropology of Women. (1976)The Birth of a Consumer Society: The Commercialization of Eighteenth Century England (1982)The Gift: Imagination and the Erotic Life of Property (1983)Posthumous Presence in Richardson’s Clarissa (2013)Clarissa: Or the History of a young Lady (1950)Sexual Suspects: Eighteenth-Century Players and Sexual Ideology (1992)It (2007)The Private and Public Life of Nellie Stewart's Bangle (2014)Mind in Matter: An Introduction to Material Culture Theory and Method (1982)Epistolarity. Approaches to a Form (1983)Rethinking materiality : the engagement of mind with the material world (2004)See No Evil, Hear No Evil, Speak No Evil: Spectation and the Eighteenth-Century Public Sphere (2012)Romanticism and Gender (1992)“Abroad and at Home”: Sexual Ambiguity, Miscegenation, and Colonial Boundaries in Edgeworth'sBelinda (1997)Revolutions in taste, 1773-1818: women writers and the aesthetics of Romanticism (2010)Dissenters (2020)Early Critical Reception (2020)Mary Wollstonecraft in Context (2020)
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  • 2014Comparative Gender in Maria Edgeworth’s Belinda48 cited
  • 2008Women's Pockets and the Construction of Privacy in the Long Eighteenth Century9 cited
  • 2009The Muff Affair: Fashioning Celebrity in the Portraits of Late-eighteenth-century British Actresses5 cited
  • 2007Rags of Immortality: Clarissa’s Clothing and the Exchange of Second-Hand Goods1 cited

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