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THE SUBSTANCE OF STYLE: HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939
0 references·3 citing·16 second hop
THE SUBSTANCE OF STYLE: HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939 (2008)THE SUBSTANCE OF STYLE: HOW SINGING CREAT…Studying the Lied: (2014)Studying the Lied:On the relationship between technique and style: the case of the violin (2014)On the relationship between t…Performance Style in Elena Gerhardt's Schubert Song Recordings (2010)Performance Style in Elena Ge…Bachata: A Social History of Dominican Popular Music (1998)Categorical conventions in music discourse: style and genre (2001)Imagination in practice: a study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers (2005)Paraphrase this: a note on improvisation (2017)Timing-Sound Interactions (2022)Investigation of body posture problems experienced in baglama teaching process (2023)Portamento and Musical Meaning (2006)Vocal Expression in Recorded Performances of Schubert Songs (2007)Recordings and histories of performance style (2009)Pesquisa artística, conhecimento musical e a crise da contemporaneidade (2015)Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach (2017)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)The Invention of Tradition (1986)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Audible Past (2003)Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe (2019)
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  • 2010Performance Style in Elena Gerhardt's Schubert Song Recordings16 cited
  • 2014On the relationship between technique and style: the case of the violin9 cited
  • 2014Studying the Lied:4 cited

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