Keeping score : music, disciplinarity, culture

Abstract

Introduction - music, disciplinarity, and interdisciplinarity, Anahid Kassabian rethinking contemporary music theory, Patrick McCreless terminal prestige - the case of avant-garde music composition, Susan McClary we won't get fooled again - rock music and musical analysis, John Covach Liverpool and the Beatles - exploring relations between music and place, text and context, Sara Cohen the invention of American musical culture - meaning, criticism and musical acculturation in antebellum America, Richard Hooker adequate modes of listening, Ola Stockfelt Out of Notes - signification, interpretation and the problem of Miles Davis, Robert Walser writing ghost notes - the poetics and politics of transcription, Peter Winkler sisterhood - a loving lesbian ear listens to progressive heterosexual women's rock music, Jennifer Rycenga Janacek's Jenufa and the tyranny of the domestic, Jenny Kallick at the twilight's last scoring, Anahid Kassabian listening subjects - semiotics, psychoanalysis and the music of John Adams and Steve Reich, David Schwarz.

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