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Editor's Preface. 1. Prelude. 2. Music and Concept. 3. Society. 4. Tonality. 5. Form and the Reconstruction of Form. 6. Critique. 7. Early and 'Classical' Phases. 8. Vers une analyse des symphonies. . 9. Late Style (I). 10. Late Work without Late Style. 11. Late Style (II). 12. Humanity and Demythologization. Appendix. Abbreviations. Editor's Notes. Editorial Afterword. Comparative Table of Fragments. Thematic Summary of Contents. Indexes.
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