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Desire and distance in Kaija Saariaho's Lonh
12 references·1 citing·33 second hop
Desire and distance in Kaija Saariaho's Lonh (2003)Desire and distance in Kaija Saariaho's L…The Sense of Music (2010)The Sense of MusicWhat is pastoral (1996)What is pastoralThe listening imagination: Listening in the electroacoustic era (1996)The listening imagination: Li…An Ethics of Sexual Difference (1993)An Ethics of Sexual DifferenceThe angel's cry: beyond the pleasure principle in opera (1992)The angel's cry: beyond the p…The Newly Born Woman (1989)The Newly Born WomanTimbre and harmony: Interpolations of timbral structures (1987)Timbre and harmony: Interpola…Guide des objets sonores : Pierre Schaeffer et la recherche musicale (1983)Guide des objets sonores : Pi…Sémiotique : dictionnaire raisonné de la théorie du langage (1979)Sémiotique : dictionnaire rai…1.7 THIS SEX WHICH IS NOT ONE (1977)1.7 THIS SEX WHICH IS NOT ONEThe Pleasure of the Text (1973)The Pleasure of the TextTraité des objets musicaux : essai interdisciplines (1966)Traité des objets musicaux : …Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86) (2012)Miniatures and tensions: phen…A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)Feminine Endings: Music, Gender, and Sexuality (1992)Soundscape, Acoustic Communication and Environmental Sound Composition (1996)L’Objet Sonore Maintenant: Pierre Schaeffer, sound objects and the phenomenological reduction (2007)Soundscape Composition as Global Music: Electroacoustic music as soundscape (2008)Animating Suspension: Waiting for Mobilities (2007)Beautiful Dead Bodies: Gender, Migration and Representation in Anti-Trafficking Campaigns (2007)No Woman is Like a Man (in Academia): The Masculine Symbolic Order and the Unwanted Female Body (2013)Postmodernism and the Social Sciences (1992)Understanding Popular Culture (2006)Methodology of the Oppressed (2010)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Security! What Do You Mean? (1998)The European Union and the Securitization of Migration (2000)Sexual Dissidence (1991)Theorizing identity in language and sexuality research (2004)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)What Poets Do: Tibullus on “Easy” Hands (2003)Authoring war: the literary representation of war from the Iliad to Iraq (2012)Pastoral, Anti-Pastoral, and Post-Pastoral (2013)Jean-Luc Nancy and the Listening Subject (2012)The orchestral revolution: Haydn and the technologies of timbre (2013)The Routledge Companion to Sounding Art (2016)Imperfect Enjoyment at Market Hill: Impotence, Desire, and Reform in Swift's Poems to Lady Acheson (1999)Feminism and Deconstruction (2006)Metis, Metis, Mestiza, Medusa: Rhetorical Bodies across Rhetorical Traditions (2009)When Opera Meets Film (2010)Between silence and pain: loudness and the affective encounter (2015)Loving Music Till It Hurts (2019)Chopin's Fourth Ballade as Musical Narrative (2004)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)
this work references cited by second hop

References

  • 19771.7 THIS SEX WHICH IS NOT ONE4,194 cited
  • 1993An Ethics of Sexual Difference1,391 cited
  • 1973The Pleasure of the Text1,145 cited
  • 1979Sémiotique : dictionnaire raisonné de la théorie du langage518 cited
  • 1996The listening imagination: Listening in the electroacoustic era140 cited
  • 1989The Newly Born Woman137 cited
  • 1992The angel's cry: beyond the pleasure principle in opera135 cited
  • 1996What is pastoral128 cited
  • 1966Traité des objets musicaux : essai interdisciplines107 cited
  • 2010The Sense of Music107 cited
  • 1987Timbre and harmony: Interpolations of timbral structures106 cited
  • 1983Guide des objets sonores : Pierre Schaeffer et la recherche musicale105 cited

Cited by

  • 2012Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)2 cited

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