Between Preservation and Tourism: Folk Performing Arts in Contemporary Japan

Hiroyuki Hashimoto

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Arts and Performance Studies Japanese History and Culture Cultural Identity and Heritage

Abstract

The A. considers Japan's folk performing arts (minzoku geino) as originally having been objectified through tourism. Through the case study of the rice transplanting ritual Mibu no Hana-taue, he examines the creative process through which the people concerned have gained their identity by using tourism as a resource to product/reproduce the practice of folk performing arts. He concludes that one must consider the experiences and feelings of the people concerned in the folk performing arts in constructing notions of authenticity.

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2011The UNESCO Effect: Confidence, Defamiliarization, and a New Element in the Discourse on a Japanese Island 2024Ritual in tourism: Evolution, Progress, and future prospects 2018Re-creating rural performing arts for tourism in Indonesia 2016Dramatizing 1Malaysia in Contemporary Chinese Lion Dance 2021Research on the inheritance and protection of folk art and culture from the perspective of network cultural governance 2015Imagined UNESCOs: Interpreting Intangible Cultural Heritage on a Japanese Island 2012An Introduction to Japanese Folk Performing Arts

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