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Cited by

• 2018Still, Nothing: Mammy and Black Asexual Possibility59 cited
• 20201. ‘‘The Strangest Freaks of Despotism’’. Queer Sexuality in Antebellum African American Slave Narratives50 cited
• 2006Love and the Trauma of Resistance in Gayl Jones's Corregidora31 cited
• 2006"Toward an All-Inclusive Structure": The Early Fiction of Gayl Jones23 cited
• 2013James Baldwin and Black Women’s Fiction23 cited
• 2011Gender, Conflict, and Community in Gayl Jones's Corregidora and Jamaica Kincaid's Lucy7 cited
• 2008Memory, History and Self-Reconstruction in Gayl Jones'sCorregidora6 cited
• 2004Resistance, Reappropriation, and Reconciliation: The Blues and Flying Africans in Gayl Jones's Song for Anninho6 cited