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Contents: Introduction, Ralf von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore. Part I Listening Alone: Death cab for Cutie's 'I will follow you into the dark' as exemplar of conven-tional tonal behaviour in recent rock music, Walter Everett Ear candy: what makes Ke$ha's 'Tik Tok' tick?, Ralf von Appen Metrical ambiguity or microrhythmic flexibility? Analysing groove in 'Nasty Girl' by Destiny's Child, Anne Danielsen Pragmatic 'Poker Face': Lady Gaga's song and Roman Jakobson's six functions of communication, Dietrich Helms Can't get laid in Germany - Rammstein's 'Pussy' (2009), Dietmar Elflein An analysis of space, gesture and interaction in Kings of Leon's 'Sex On Fire', Simon Zagorski-Thomas Andres's 'New For U': new for us. On analysing electronic dance music, Andre Doehring So just what kind of life is this? Amy McDonald's 'This Is The Life', Allan F. Moore. Part II Listening Together: An ambiguous murder: questions of intertextuality in PJ Harvey's 'The Words That Maketh Murder', Claudia Azevedo, Chris Fuller, Juliana Guerrero, Michael Kaler and Brad Osborn Interpreting meaning in/of Janelle Monae's 'Tightrope': style, groove and production considered, Frederike Arns, Mark Chilla, Mikko Karjalainen, Esa Lilja, Theresa Maierhofer-Lischka and Matthew Valnes 'Can't Keep it to Myself': exploring the theme of struggle in the Fleet Foxes' 'Helplessness Blues', Paul Carter, Samantha Englander, Alberto Munarriz, Jadey O'Regan and Eileen Simonow How to make a global dance hit: balancing the exotic with the familiar in 'Danza Kuduro' by Lucenzo featuring Don Omar, Felix Eid, Maria Emilia Greco, Jakub Kasperski, Andrew Martin and Edin MujkanoviA Analytical approaches to Bjork's 'Crystalline': a convergence of nature and technology, Phil Allcock, Natalia Bieletto, Maxime Cottin, Katharine Nelligan and Yvonne Thiere. Index.
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