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Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
2 references·16 citing·41 second hop
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References

  • 2019Nietzsche, Genealogy, History3,361 cited
  • 1983On Ethnographic Authority1,009 cited

Cited by

  • 2013Music and the politics of negation53 cited
  • 2003Marxist music analysis without Adorno: popular music and urban geography47 cited
  • 2017Rethinking Music Loving45 cited
  • 2005Music and Social Being133 cited
  • 2003Feel the beat come down: house music as rhetoric27 cited
  • 2003Is anybody listening?27 cited
  • 2003The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’24 cited
  • 2003Talk and text: popular music and ethnomusicology17 cited
  • 1998Disciplining Deconstruction (For Music Analysis)15 cited
  • 2008The Queen and the Flirt14 cited
  • 2003Pangs of history in late 1970s new-wave rock9 cited
  • 2003Jethro Tull and the case for modernism in mass culture8 cited
  • 2016Schumann's a-Minor Mood8 cited
  • 2011A Score of Change: Twenty Years of Critical Musicology and Victorian Literature5 cited

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  • 2009Breaking Through Our Own Barriers5 cited
  • 1997Invoking Motives and Immediacy: Foils and Contexts for Pieter C. van den Toorn's "Music, Politics, and the Academy"4 cited