References

• 2000Infrared Spectroscopy in Conservation Science690 cited
• 2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection262 cited
• 2007Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art251 cited
• 2012Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library170 cited
• 2006Raman analysis of iron gall inks on parchment153 cited
• 2007Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies107 cited
• 2014An improved methodology for the characterization and identification of sepia in works of art by normal Raman and SERS, complemented by FTIR, Py‐GC/MS, and XRF91 cited
• 2005Spectroscopic evaluation and characterization of different historical writing inks76 cited
• 2008All that is iron‐ink is not always iron‐gall!74 cited
• 2004Study of Gustave Moreau's black drawings: identification of the graphic materials by Raman microspectrometry and PIXE41 cited
• 2009Combined X-ray Diffraction and Raman Identification of Synthetic Organic Pigments in Works of Art: From Powder Samples to Artists’ Paints40 cited
• 1905Inks: their Composition and Manufacture27 cited
• 2006Vincent van Gogh: the drawings6 cited

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