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ABSTRACT This article argues that mid-eighteenth-century Moravian religious discourse produced unique forms of self, desire, and community. It uses queer theory to reframe previous scholarship on Moravian masculinity, homoeroticism, marriage, and social structure in order to emphasize aspects of Moravian cultural difference that have been elided in such debates as whether Moravian men were effeminate and whether the choir was a threat to the family.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.