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Setting the record straight: a material history of classical recording
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  • 2010Sound in the Age of Mechanical Reproduction62 cited
  • 2019Writing about Popular Music53 cited
  • 2010Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell41 cited
  • 2008Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio37 cited
  • 2015Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources22 cited
  • 2006Visualizing “The Sound of Genius”: Glenn Gould and The Culture of Celebrity in the 1950s9 cited
  • 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2011The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia4 cited
  • 2011Writing and Music: Album Liner Notes4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2012Editorial4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019A technology and its vicissitudes: playing the gramophone in Sweden 1903–1945

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3 cited
  • 2011The pomegranate cycle : reconfiguring opera through performance, technology & composition3 cited