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Representing Non-Western Music in Nineteenth-Century Britain
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Representing Non-Western Music in Nineteenth-Century Britain (2023)Representing Non-Western Music in Ninetee…“A Circuit Tour of the Globe”: “Hiawatha” and the Double-Stake of Imperial Pop (2019)“A Circuit Tour of the Globe”…Towards the History of Ideas in Ethnomusicology: Theory and Methods between the Late 18th and the Early 20th Century (2018)Towards the History of Ideas …The ‘non-Darwinian’ revolution and the Great Chain of Musical Being (2014)The ‘non-Darwinian’ revolutio…Hybridity and harmony (2014)Hybridity and harmonyThe music of non-Western nations and the evolution of British ethnomusicology (2013)The music of non-Western nati…Miscellany and Collegiality in the British Periodical Press: TheHarmonicon(1823–1833) (2012)Miscellany and Collegiality i…Blackness in Opera (2012)Blackness in Opera“More Than the Sum of the Life of Its Several Parts”: Individual Differences in the Psychology and Ethnomusicology of C. S. Myers (2007)“More Than the Sum of the Lif…A History of Psychology in Autobiography (1937)The Non-Darwinian Revolution (1992)The Savage within: The Social History of British Anthropology, 1885-1945 (1992)The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 (1958)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)Imperial Eyes (1900)Imperial Eyes: Travel Writing and Transculturation. (1993)The Invention of “Folk Music” and “Art Music” (2007)Cosmopolitan Sounds and Intimate Narratives in P. Ramlee’s Film Music (2019)Strings across the ocean: practices, traditions, and histories of the Cocos Malaybiolain the Cocos (Keeling) Islands, Indian Ocean (2019)Recapitulation of Malay asli music genre transcriptions for a chamber trio employing music score analysis (2022)The descent of man, and selection in relation to sex (1872)The descent of man and selection in relation to sex (1907)Ontogeny and Phylogeny (1977)Introduction. Discordant Harmonies: Interspecies Relations in the United States (2024)Theorizing Music Evolution (2024)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)The New Imperialism (2003)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)A General History of Music, from the Earliest Ages to the Present Period (2018)In Defence of the Term and Concept of Traditional Music (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Culture and Imperialism. (1994)Racial Formation in the United States: From the 1960s to the 1990s (1994)Becoming the “Black Swan” in Mid-Nineteenth-Century America: (2014)Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–56 (2017)Delius and the Sound of Place (2018)Inquiries into human faculty and its development. (1883)Culture and imperialism (1993)
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  • 2018Towards the History of Ideas in Ethnomusicology: Theory and Methods between the Late 18th and the Early 20th Century23 cited
  • 2014The ‘non-Darwinian’ revolution and the Great Chain of Musical Being12 cited
  • 2019“A Circuit Tour of the Globe”: “Hiawatha” and the Double-Stake of Imperial Pop11 cited
  • 2012Blackness in Opera11 cited
  • 2013The music of non-Western nations and the evolution of British ethnomusicology10 cited
  • 2014Hybridity and harmony8 cited
  • 2012Miscellany and Collegiality in the British Periodical Press: TheHarmonicon(1823–1833)3 cited
  • 2007“More Than the Sum of the Life of Its Several Parts”: Individual Differences in the Psychology and Ethnomusicology of C. S. Myers0 cited

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