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Post-Fidelity: A New Age of Music Consumption and Technological Innovation
14 references·0 citing·38 second hop
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this work references cited by second hop

References

  • 2003The Audible Past1,821 cited
  • 1997Doing Cultural Studies: The Story of the Sony Walkman1,684 cited
  • 2006How Users Matter: The Co-Construction of Users and Technology408 cited
  • 1996‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59329 cited
  • 2010Capturing Sound297 cited
  • 1984The walkman effect262 cited
  • 2004Music and technoculture181 cited
  • 2006Sound ideas: music, machines, and experience176 cited
  • 1995Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925133 cited
  • 2004Golden Ears and Meter Readers102 cited
  • 2004Playback: from the Victrola to MP3, 100 years of music, machines, and money83 cited
  • 2003All the Rave: The Rise and Fall of Shawn Fanning's Napster56 cited
  • 2008Recorded music: philosophical and critical reflections45 cited
  • 2000Phonography, Rock Records, and the Ontology of Recorded Music41 cited

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