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Stepping across the Divide: Hasidic Music in Today’s Yiddish Canon
9 references·1 citing·32 second hop
Stepping across the Divide: Hasidic Music in Today’s Yiddish Canon (2007)Stepping across the Divide: Hasidic Music…Adventures In Yiddishland: Postvernacular Language And Culture (2006)Adventures In Yiddishland: Po…Playing with history: the historical approach to musical performance (2003)Playing with history: the his…Virtually Jewish: reinventing Jewish culture in Europe (2002)Virtually Jewish: reinventing…American KlezmerIts Roots and Offshoots (2002)American KlezmerIts Roots and…Fiddler on the move: exploring the klezmer world (2001)Fiddler on the move: explorin…Music in Lubavitcher life (2000)Music in Lubavitcher lifeKlezmer!: Jewish music from old world to our world (2000)Klezmer!: Jewish music from o…Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning (1990)Paul Simon's Graceland, South…Chosen voices: the story of the American cantorate (1989)Chosen voices: the story of t…“It’s Not a Specific Klezmer Thing, It’s a Specific Me Thing”: Klezmer Accordion in Berlin (2020)“It’s Not a Specific Klezmer …Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)The Postmodern Condition: A Report on Knowledge (1984)The seventeenth-century musical ‘work’ (2005)The Past in Music: Introduction (2006)Compositions, Scores, Performances, Meanings (2012)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space (1997)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Music and the Global Order (2004)3.2. MARXISM AND LITERATURE (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)The Strength of Weak Ties (1973)The Strength of Weak Ties: A Network Theory Revisited (1983)Reassembling the Social (2005)Learning faith: Language socialization in a community of Hasidic Jews (2006)Enzyklopädie jüdischer Geschichte und Kultur (2011)The Cambridge Companion to Jewish Music (2015)The Art of Being Jewish in Modern Times (2008)Gypsy/Klezmer Dialectics: Jewish and Romani Traces and Erasures in Contemporary European World Music (2015)Ethnographic Writing about American Culture (1992)Music Institutions and the Transmission of Tradition (2009)Judaism and Music (2014)Queer Yiddishkeit: Practice and Theory (2006)Do American Jews Speak a "Jewish Language"?: A Model of Jewish Linguistic Distinctiveness (2009)Guest Editors' Introduction Finding Home: The Future of Jewish American Literary Studies (2012)An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)The Multiple Voices of American Klezmer (2007)Leaving Kazimierz : Comedy and realism in the Yiddish film musical Yidl mitn Fidl (2009)In Pursuit of Authenticity: The New Lost City Ramblers and the Postwar Folk Music Revival (2010)Beyond Virtually Jewish: New Authenticities and Real Imaginary Spaces in Europe (2009)Can there be a conciliatory heritage? (2010)Educational dark tourism at an in populo site (2010)
this work references cited by second hop

References

  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 2002Virtually Jewish: reinventing Jewish culture in Europe168 cited
  • 2001Fiddler on the move: exploring the klezmer world125 cited
  • 2003Playing with history: the historical approach to musical performance119 cited
  • 2000Music in Lubavitcher life87 cited
  • 2006Adventures In Yiddishland: Postvernacular Language And Culture75 cited
  • 2000Klezmer!: Jewish music from old world to our world50 cited
  • 2002American KlezmerIts Roots and Offshoots42 cited
  • 1989Chosen voices: the story of the American cantorate37 cited

Cited by

  • 2020“It’s Not a Specific Klezmer Thing, It’s a Specific Me Thing”: Klezmer Accordion in Berlin18 cited

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