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μ‐Raman spectroscopy of prehistoric paintings from the Abrigo Remacha rock shelter (Villaseca, Segovia, Spain)

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1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
2000Raman spectroscopic analysis of pigments and substrata in prehistoric rock art137 cited
1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
2001Raman Spectroscopic Analysis of Ancient Egyptian Pigments121 cited
2010The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results117 cited
2006Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France113 cited
2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
2010Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius)90 cited
2012The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France78 cited
2011Hematite sources and archaeological ochres from Hohokam and O’odham sites in central Arizona: an experiment in type identification and characterization73 cited

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