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Spectroscopy of Palaeolithic rock paintings from the Tito Bustillo and El Buxu Caves, Asturias, Spain

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References

2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
2010The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results117 cited
2006Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France113 cited
2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa87 cited
2008THE ORIGIN AND GEOCHEMICAL CHARACTERIZATION OF RED OCHRES FROM THE TITO BUSTILLO AND MONTE CASTILLO CAVES (NORTHERN SPAIN)*80 cited
2011The first spectroscopic analysis of Ethiopian prehistoric rock painting71 cited
2003El arte prehistórico desde los inicios del siglo XXI : Primer Symposium Internacional de Arte Prehistórico de Ribadesella12 cited

Cited by

2013In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint65 cited
2013Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review59 cited

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2014In situ characterization by Raman and X-ray fluorescence spectroscopy of post-Paleolithic blackish pictographs exposed to the open air in Los Chaparros shelter (Albalate del Arzobispo, Teruel, Spain)53 cited

2018On-field Raman spectroscopy of Patagonian prehistoric rock art: Pigments, alteration products and substrata52 cited

2012Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century43 cited

2012On‐and off‐site Raman study of rock‐shelter paintings at world‐heritage site of Bhimbetka38 cited

2016Combined Spectroscopic Analysis of Beads from the Tombs of Kindoki, Lower Congo Province (Democratic Republic of the Congo)35 cited

2015Micro‐Raman analysis of pigments from hunter–gatherer archaeological sites of North Patagonia (Argentina)35 cited

2016A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)35 cited

2017The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites35 cited

2015Characterising pigments on 30 000-year-old portable art from Apollo 11 Cave, Karas Region, southern Namibia34 cited

2015Raman microscopy of prehistoric paintings in French megalithic monuments29 cited

2014In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting28 cited

2013μ‐Raman spectroscopy of prehistoric paintings from the Abrigo Remacha rock shelter (Villaseca, Segovia, Spain)28 cited

2018Μicro-Raman spectroscopy for the characterization of rock-art pigments from Abrigo del Águila (Badajoz – Spain)25 cited

2015Raman and SEM‐EDX analyses of the ‘Royal Portal’ of Bordeaux Cathedral for the virtual restitution of the statuary polychromy17 cited