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The construction of national identity through the production of ritual and spectacle
16 references·4 citing·28 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1978Discipline and Punish: The Birth of the Prison19,439 cited
  • 1978Discipline and Punish: The Birth of the Prison.19,201 cited
  • 1984Imagined Communities: Reflections on the Origin and Spread of Nationalism11,054 cited
  • 1986The Invention of Tradition7,087 cited
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  • 1978Policing the Crisis: Mugging, the State, and Law and Order3,108 cited
  • 1976Resistance Through Rituals: Youth Subcultures in Post-War Britain2,436 cited
  • 1991A Global Sense of Place1,858 cited
  • 2020The Society of the Spectacle1,640 cited
  • 1989The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art.1,200 cited
  • 1993Mapping the futures. Local cultures, global change1,186 cited
  • 1985The Empire Strikes Back: Race and Racism in 70s Britain809 cited
  • 2018Dramas, Fields, and Metaphors747 cited
  • 2012Mapping the Futures427 cited
  • 1993Selling places: the city as cultural capital, past and present.

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414 cited

Cited by

  • 1999Spaces at the Margins: Migrant Domestic Workers and the Development of Civil Society in Singapore135 cited
  • 2005Sightseeing in the mansions of the dead67 cited
  • 2020Chinese Temple Networks in Southeast Asia: A WebGIS Digital Humanities Platform for the Collaborative Study of the Chinese Diaspora in Southeast Asia20 cited
  • 2018Where Got Singapore Sound? Representing National Identity in Music: Conundrums and Alternatives3 cited