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Carnival at Luanda
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Carnival at Luanda (1988)Carnival at LuandaThe Emergence of African Capitalism (1983)The Emergence of African Capi…Dance and Society in Eastern Africa 1890–1970 (1975)Dance and Society in Eastern …Portuguese Society in the Tropics: The Municipal Councils of Goa, Macao, Bahia, and Luanda, 1510-1800 (1966)Portuguese Society in the Tro…A History of African Popular Culture (2017)A History of African Popular …Beyond Resistance: Notes Toward a New Caribbean Cultural Studies (2003)Beyond Resistance: Notes Towa…Politics Behind the Mask: Studying Contemporary Carnivals in Political Perspective, Theoretical and Methodological Suggestions (2001)Politics Behind the Mask: Stu…Public Art, Performance Art, and the Politics of Site (1994)Public Art, Performance Art, …Performing Gender (1994)Performing GenderNew Mayan Theatre in Chiapas (1994)New Mayan Theatre in ChiapasArt in América con Acento (1994)Art in América con AcentoA Touch of Evil (1994)A Touch of EvilThe Politics and Poetics of Transgression (1988)Justice interruptus: critical reflections on the "postsocialist" condition (1997)The Black Atlantic: Modernity and Double Consciousness. (1997)Telling Treasure Tales: Commemoration and Consciousness in Dominica (2009)Islands in the Air: Travelling by Plane in Anglophone Caribbean Literature (2018)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Gender Trouble: Feminism and the Subversion of Identity (1991)Refugees of the South: Central Americans in the U.S. Latino Imaginary (2001)Imagined transnationalism : U.S. Latino/a literature, culture, and identity (2009)Learning from the Dead: Wounds, Women, and Activism in Cherríe Moraga’s Heroes and Saints (2009)Borderlands/La Frontera: The New Mestiza (2017)Order and Rebellion in Tribal Africa, by Max Gluckman (1965)Sur l'utilisation de l'entretien non directif en sociologie (1975)A Day for the Hunter, a Day for the Prey (1997)Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa (2011)Walking in the Periphery: Activist Art and Urban Resistance to Neoliberalism in Istanbul (2018)The Making of the English Working Class. (1966)Speech Genres and Other Late Essays (1986)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Africa since 1940 (2019)Popular Music in Nigeria: Language, Context and Milieu (2020)Heritage and Transformation of an African Popular Music (2024)Gender trouble: feminism and the subversion of identity (1990)Gender, development and urban social change: Women's community action in global cities (1997)The Cambridge History of China (1979)A History of Portugal and the Portuguese Empire: From Beginnings to 1807 (2009)Cross-Cultural Exchange in the Atlantic World: Angola and Brazil during the Era of the Slave Trade (2012)Introduction to the Project and the Volume Enacting a Translocal Feminist Politics of Translation (2014)Translenguas (2014)TRANSLOCAL SPACE OF AFRO-LATINIDAD: (2014)Popular Culture in Africa: Findings and Conjectures (1978)Distinguished Lecture: Facing Power—Old Insights, New Questions (1990)THE POLITICS AND POETICS OF DANCE (1998)The State as Lame Leviathan: The Patrimonial Administrative State in Africa (1987)African Economic Development and Colonial Legacies (2010)WHY IS AFRICA POOR? (2010)
this work references cited by second hop

References

  • 1975Dance and Society in Eastern Africa 1890–1970299 cited
  • 1983The Emergence of African Capitalism152 cited
  • 1966Portuguese Society in the Tropics: The Municipal Councils of Goa, Macao, Bahia, and Luanda, 1510-180093 cited

Cited by

  • 2017A History of African Popular Culture148 cited
  • 1994Performing Gender45 cited
  • 1994A Touch of Evil33 cited
  • 1994Art in América con Acento31 cited
  • 2003Beyond Resistance: Notes Toward a New Caribbean Cultural Studies15 cited
  • 2001Politics Behind the Mask: Studying Contemporary Carnivals in Political Perspective, Theoretical and Methodological Suggestions14 cited
  • 1994New Mayan Theatre in Chiapas12 cited
  • 1994Public Art, Performance Art, and the Politics of Site5 cited

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