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Audience Response and Expressive Pitch Inflections in a Live Recording of Legendary Singer Kesar Bai Kerkar
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References

  • 1913Dictionnaire de musique389 cited
  • 1985The Grain of the Voice: Interviews 1962-1980233 cited
  • 1987On the Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music212 cited
  • 2005Two Men and Music208 cited
  • 2009A Dissertation On The Rise, Union, And Power, The Progressions, Separations, And Corruptions Of Poetry And Music111 cited
  • 2001Time in Indian music: rhythm, metre, and form in North Indian rag performance90 cited
  • 2006From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India86 cited
  • 1968The Ragas of Northern Indian music38 cited
  • 1971Reflections upon a Given Topic: Music in Universal Perspective31 cited
  • 1968East and West, Old and New28 cited
  • 1963Intonation in present-day North Indian classical music27 cited
  • 2003Hindustani classical music reform movement and the writing of history, 1900s to 1940s26 cited
  • 1990What was Hanslick Denying?15 cited
  • 2010The Third Stream: Oḍiśī Music, Regional Nationalism, and the Concept of "Classical"9 cited
  • 1963Musical Significance5 cited
  • 1981

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Great masters of Hindustani music
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