SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
K-pop—The International Rise of the Korean Music Industry
4 references·16 citing·40 second hop
K-pop—The International Rise of the Korean Music Industry (2015)K-pop—The International Rise of the Korea…The Korean Wave: Korean Media Go Global (2014)The Korean Wave: Korean Media…The Korean Wave (2013)The Korean WaveKorean Pop Music (2006)Korean Pop MusicThe McDonaldization of Society (2001)The McDonaldization of SocietyThe rise of digital platforms as a soft power apparatus in the New Korean Wave era (2024)The rise of digital platforms…Trammelled stars: the non-autonomy of female K-pop idols (2022)Trammelled stars: the non-aut…Oegugin Influencers and pop nationalism through government campaigns: Regulating foreign‐nationals in the South Korean YouTube ecology (2022)Oegugin Influencers and pop n…Doing participatory fandom through trans‑scripting (2022)Doing participatory fandom th…Diasporic Hallyu (2022)Diasporic HallyuBetween universes: Fan positionalities in the transnational circulation of K-pop (2022)Between universes: Fan positi…“Female empowerment is being commercialized”: online reception of girl crush trend among feminist K-pop fans (2022)“Female empowerment is being …“Because we all love K‐Pop”: How young adults reshape symbolic boundaries in Paris, Manchester, and Philadelphia (2022)“Because we all love K‐Pop”: …BTS as method: a counter-hegemonic culture in the network society (2021)BTS as method: a counter-hege…Shin-Ōkubo as a feminine ‘K-pop space’: gendering the geography of consumption of K-pop in Japan (2020)Shin-Ōkubo as a feminine ‘K-p…K-Pop Male Androgyny, Mediated Intimacy, and Vietnamese Fandom (2020)K-Pop Male Androgyny, Mediate…Agenda-setting in the realm of popular culture: The case of the Korean Wave in East Asia (2019)Agenda-setting in the realm o…The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop (2018)The politics of apology: The …The Fandom of Hallyu, A Tribe in the Digital Network Era: The Case of ARMY of BTS (2018)The Fandom of Hallyu, A Tribe…Non-Korean consumers’ preferences on Korean popular music: A two-country study (2018)Non-Korean consumers’ prefere…Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop (2017)Amber Liu, K-Pop Tomboy: Resh…Hybridity and the rise of Korean popular culture in Asia (2005)Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols (2010)Popular Culture, Geopolitics, and Identity (2010)Anti-Korean sentiment and online affective community in Taiwan (2019)Popular Culture and the Transformation of Japan–Korea Relations (2020)Contingency, Irony, and Solidarity (1989)Cold Intimacies: The Making of Emotional Capitalism (2007)The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites (2007)“Make It Right”: Why #BlackLivesMatter(s) to K-pop, BTS, and BTS ARMYs (2021)Cultural proximity and hybridity: popularity of Korean pop culture in India (2021)Hang with Me—Exploring Fandom, Brandom, and the Experiences and Motivations for Value Co-Creation in a Music Fan Community (2021)Critical discourse analysis: The critical study of language (1996)Giving an Account of Oneself (2005)Asia as Method (2010)Civic Engagement Intention and the Data-Driven Fan Community: Investigating the Motivation Behind Chinese Fans’ Online Data-Making Behavior From a Collective Action Perspective (2023)Platform Fandom: Weverse and the Technological Domestication of Fan Community (2025)Watching Race: Television and the Struggle for "Blackness". (1996)Ethnic Nationalism in Korea (2006)(Not) Getting Paid to Do What You Love (2017)Adoring Audience: Fan Culture and Popular Media (1994)Doing Interviews (2007)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Evolving yet contentious transcultural fanscapes: Peruvian fans’ accounts of K-pop and its fandoms (2024)The K-pop industry: competitiveness and sustainability (2024)Uniting global fans and revolutionizing K-pop marketing: Weverse, a global fan community platform (2025)Analysing Discourse (2003)Public Diplomacy and Soft Power (2008)Networked Gatekeeping and Networked Framing on #Egypt (2013)Beyond Hallyu celebrity appeal: understanding celebrity attractiveness and content creativity as strategic marketing resources in Taiwan (2025)Global Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity (2017)Korean TV drama viewership on Netflix: Transcultural affection, romance, and identities (2019)Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective (2020)The Disneyization of Society (1999)New Public Management Is Dead--Long Live Digital-Era Governance (2005)A review of innovation research in tourism (2009)Introduction: Conceptualizing the Korean Wave (2009)Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music (2012)Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010 (2013)Heritage conservation futures in an age of shifting global power (2014)Transnational fandom in the making: K-pop fans in Vancouver (2018)
this work references cited by second hop

References

  • 2001The McDonaldization of Society1,665 cited
  • 2013The Korean Wave135 cited
  • 2014The Korean Wave: Korean Media Go Global127 cited
  • 2006Korean Pop Music71 cited

Cited by

  • 2021BTS as method: a counter-hegemonic culture in the network society45 cited
  • 2018The Fandom of Hallyu, A Tribe in the Digital Network Era: The Case of ARMY of BTS43 cited
  • 2024The rise of digital platforms as a soft power apparatus in the New Korean Wave era33 cited
  • 2022Between universes: Fan positionalities in the transnational circulation of K-pop27 cited
  • 2022Oegugin Influencers and pop nationalism through government campaigns: Regulating foreign‐nationals in the South Korean YouTube ecology22 cited
  • 2018The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop18 cited
  • 2022“Female empowerment is being commercialized”: online reception of girl crush trend among feminist K-pop fans17 cited
  • 2022Trammelled stars: the non-autonomy of female K-pop idols15 cited
  • 2022Doing participatory fandom through trans‑scripting13 cited
  • 2022Diasporic Hallyu13 cited
  • 2017Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

13 cited
  • 2018Non-Korean consumers’ preferences on Korean popular music: A two-country study13 cited
  • 2022“Because we all love K‐Pop”: How young adults reshape symbolic boundaries in Paris, Manchester, and Philadelphia12 cited
  • 2019Agenda-setting in the realm of popular culture: The case of the Korean Wave in East Asia11 cited
  • 2020K-Pop Male Androgyny, Mediated Intimacy, and Vietnamese Fandom10 cited
  • 2020Shin-Ōkubo as a feminine ‘K-pop space’: gendering the geography of consumption of K-pop in Japan9 cited