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Introduction I approach this research from a background of practising and exhibiting as a professional Contemporary Australian Artist with over 25 years of experience. Over this time, I have had many different points of view presented to me from a variety of people from different backgrounds, cultures and ages. One of the most common comments from people is, ‘I was really good at art at school, I love to draw but I've never taken it up, one day I hope to go to an Art Class’. So it is with this thought in mind that I approached this work, looking into the available evidence of Art Therapy and its effects on the mind and soul. If expressing oneself in what I call the ‘first language’, meaning the first things we learn as human beings are in the visual language, our mothers face, colours, smells and sounds, we recognise our favourite toys from shape and colour. So, as this is the basis of human communication, it seems logical then, that this is a way of reaching into the mind, finding positive imagery and the sense of ‘self’ at its very core. One of my most prominent memories is of an encounter at one of my art exhibition openings, I had produced some little paintings of a local icon, known locally as Balfours Frog Cakes. A woman approached me who would have been in her mid-eighties, and began to reminisce to me of what it was like in the late 1920's when her mother took her and her brother once a month on a Saturday into town into the teahouse and bakery for a special treats. I could see this woman standing in front of me, turning into a little girl of five again, her eyes lit up and she was back there, she had such a peaceful happiness about her, and I felt so happy that I had bought joy to someone through my art. I know that many an individual and it is thus that I want to provide the evidence for the practice of Art Therapy to be more widely adopted so that more people could again find themselves have experienced this phenomenon. Background As a concept, Art Therapy has been around in an accepted capacity since the late 1930's, involving work with mental health patients in America and the United Kingdom. Artist Mary Huntoon, was one of the first to be accepted for her practice and began art therapy sessions with patients at the Menninger Clinic at Topeka in Kansas and called her work, Art Synthesis around 1936 1. In an increasing ageing population, together 2 with the positive effects of modern medicine on human longevity, it is conceivable that greater percentages of the world's population will be residing in aged care facilities without any particular disease other than the effects of the normal ageing process. As a possible delay mechanism for the onset of mental illness, depression, dementia and Alzheimer's disease, Art Therapy can mentally and socially stimulate residents3. The elderly person gains a sense of improved wellbeing, greater confidence and in turn a physical improvement on health and quality of life. Art therapy can also provide the aged person with increased cognitive abilities, social skills, feelings of self-worth and a possible link with the past3. Most children have a naïve talent for visual expression which is often lost as other verbal languages are learnt. Therefore, many adults feel they once had a talent in making art and would like to explore the possibility of learning to paint, draw, sculpt or perform other forms of visual expression. Self-expression provides a vehicle for the aged care patient to overcome a sense of apathy and hopelessness, rather than retreating inwards, the patient feels more encouraged to participate in the activities of living. Modern medical research has paved the way for populations to live longer, healthier lives. That is a wonderful thing in itself, however, what are people going to do with themselves as they age and can no longer be as physically active as they once were. What will occupy their daily routines as they grow old and their friends and family pass on? Perhaps the creative therapies can fill the void left by these life-changing issues? It has been suggested that creative modalities can improve problem solving abilities, self-esteem and general life satisfaction4. Ravid-Horesh 5 asked the question, if art therapy enhances positive outcomes of the aged person's life review, allowing for self-acceptance, greater self-esteem and happy ageing. What cannot be expressed in words, cannot be articulated, perhaps are deep within a person's psyche can often be bought out with other forms of communication. The other issues with people living longer is the ability to support themselves financially, many will not have the funds to live as they once did, lowering their self esteem and the feeling of their place in the world. Mental Health is becoming more and more of a greater concern in the general ageing population and even the broader realisation that people are lowering their sense of one's humanity and of one's self, this may be loss through a loss of cognitive abilities from idleness and inactivity 6. There are thankfully an equally growing number of people, together with researchers interested in the aged to help with diverse and tailored approaches to therapy, providing important psychological support 7. This is a global issue, one of the human condition, so regardless of time, cultural background or differences, this review will wherever possible not restrict the search for information to language or region, date published or other boundary. Keywords Art Therapy; Aged Care;self esteem Aims and Objectives The aim of this review is to determine from the available evidence the impact of the Art Therapy on physical and mental health outcomes of elderly people. Review Question/s What is the impact of Art Therapy participation on the individuals' wellness and emotional needs? What is the experience and meaningfulness of the aged person and their participation either in group Art Therapy situations or in one on one situations? Inclusion Criteria Types of Participants Participants will be people aged 65 years or over with no evidence of dementia or other cognitive disabilities. They will either be in nursing home care, community care, day care, residential, low-care, supported living or the medical home. They may have no family or other emotional support and be suffering from increasing introspection. Types of Interventions The intervention of interest will be Art Therapy with the focus on the visual arts. All available techniques will be considered, including for example, art therapy sessions using a variety of tools, drawing, painting, computer manipulated imagery, photography and any other mode of visual expression. Art Therapy techniques examined will be those used in the group situation or with the individual aged person. Examined will also be who runs the art therapy program, is it an artist, professional art therapist, general therapist, is the therapy self-directed, how long will the sessions run for, what time period are sessions conducted over? Are these programs six months, twelve months etc how do the frail aged cope with half hour sessions or one hour sessions. Types of Studies Any quantitative and qualitative study designs will be considered for this review. Each study will be classified according to the JBI levels of evidence (Appendix I) and preference will be given to those higher in the hierarchy of evidence such as randomised controlled trials (RCTs). Studies that are long term follow up and observational cohorts will be included as will be Guidelines from professional associations. Types of Outcome Measures Quantitative outcomes will look at the measureable psychological and psychosocial outcomes and behavioural characteristics resulting from Art Therapy. Indicators will include measures of cognitive function, Quality of Life (QOL) scales, depression scales, frequency of participation in activities and art therapy assessment scales. What are the participants' communicative skills, social interaction, and quality of social interaction, behavioural problems e.g. stereotypic behaviour, and attention and concentration skills? Do they have an improved cognitive abilities, do they cope with stress and adverse events more easily. Qualitative outcomes will be subjective from the patient's point of view, how they react to what feelings and emotions they are experiencing from the therapy sessions. Does the reminiscing help or make them feel sad for what they've lost, or happy for what they've had in their past? Reason for exclusion Studies will be excluded if they are about the performing arts - music, dance and drama. Participants will be excluded if they are under 65 years of age, and if they have been diagnosed with dementia, Alzheimer's or other cognitive disorders. Editorials and opinion articles will be excluded. Search Strategy The search strategy aims to find both published and unpublished studies. A three-step search strategy will be utilised in each component of this review. An initial limited search of MEDLINE and CINAHL will be undertaken followed by analysis of the text words contained in the title and abstract, and of the index terms used to describe the article. A second search using all identified keywords and index terms will then be undertaken across all included databases. Thirdly, the reference list of all identified reports and articles will be searched for additional studies. The databases to be searched include: MEDLINE CINAHL (including Pre-CINAHL) EMBASE Cochrane Central Register of Controlled Trials (CENTRAL) JBI CSA Sociological abstracts Clinical Trials PsycINFO Current Contents AgeLine Informit ISI Web of Knowledge Health Source: Nursing/Academic Edition Scopus WorldCat The search for unpublished studies will include: MEDNAR Proquest Dissertations and Theses, Index to Theses, The Networked Digital Library of Theses and Dissertations (NDLTD). Experts in the field will be consulted such as those registered with the Australian and New Zealand Art Therapy Associations (ANZATA), American Art Therapy Association (AATA, British Association of Art Therapy, as well as any other countries with credible associations, together with University lecturers, and Art Therapists. Additional searches will be conducted in specialist journals such as “The Arts in Psychotherapy” to eliminate any excluded citations in the databases. Initial keywords to be used are: Concept 1: Art Therapy, art psychotherapy, art therapists, therapeutic arts, artistic expression, visual expression Concept 2: Aged Care, aged, gerontology, elderly, healthy ageing, older adults Concept 3: self esteem, social interaction, well-being, quality of life, self concept, memory, hope, behavioural research Methodological Quality Critical Appraisal Quantitative and qualitative papers selected for retrieval will be assessed by two independent reviewers for methodological validity prior to inclusion in the review using the appropriate standardised critical appraisal instruments from the Joanna Briggs Institute System for the Unified Management, Assessment and Review of Information (JBI-SUMARI, Appendix II). Any disagreements that arise between the reviewers will be resolved through discussion, or with a third reviewer. Data Extraction Quantitative and qualitative data will be extracted from papers included in the review using the appropriate standardised data extraction tool from JBI-SUMARI(Appendix III). Data Synthesis For quantitative data all results will be subject to double data entry. Odds ratio (for categorical data) and weighted mean differences (for continuous data) and their 95% confidence intervals will be calculated for analysis. Heterogeneity will be assessed using the standard Chi-square. Where statistical pooling is not possible the findings will be presented in narrative form. Qualitative research findings will be pooled were possible, using the JBI Qualitative Assessment and Review Instrument (JBI-QARI). This will involve the aggregation or synthesis of findings to generate a set of statements that represent that aggregation, through assembling the findings according to their quality, and categorising these findings on the basis of similarity in meaning. These categories are then subjected to a meta-synthesis in order to produce a single comprehensive set of synthesised findings. Potential Conflicts of Interest None Acknowledgements Zoe Jordan BA, MA Heather Gibb RN BA (Hons), PhD
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