Introduction: The New Old Europe Sound

Abstract

Over the past quarter-century, Celtic music has slowly declined on the global stage and been replaced as the de facto pan-European world music by a bricolage of Romani, klezmer and Balkan styles. These primarily East European musics have been adopted, adapted, fused, confused and ultimately claimed by northwestern Europeans as part of a wider project of reimagining their own identities in the post-Cold-war era. The music industry has not given a name to this trend, but the contributors to this volume have come to call it the ‘New Old Europe Sound’.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 27 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.