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David Teniers the Younger's paintings of monkeys dressed as the nobility are discussed in thier sociological context and compared to other arts in which social status and social imposters are critiqued.
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Stored only when both papers are in the corpus — 1 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.