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Tradition and Authenticity in Popular Music
12 references·2 citing·33 second hop
Tradition and Authenticity in Popular Music (2005)Tradition and Authenticity in Popular Mus…Ethnography, Rhetoric, and Performance (2018)Ethnography, Rhetoric, and Pe…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Reading the Popular (2006)Reading the PopularThe Portable Community: Mobility and Modernization in Bluegrass Festival Life (2004)The Portable Community: Mobil…The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘ (1998)The politics of authenticity …Transforming Tradition: Folk Music Revivals Examined (1995)Transforming Tradition: Folk …Transforming tradition: folk music revivals examined (1994)Transforming tradition: folk …Sound and vision: the music video reader (1994)Sound and vision: the music v…We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. (1993)We Gotta Get Out of This Plac…We gotta get out of this place: popular conservatism and postmodern culture (1992)We gotta get out of this plac…Ethnography, rhetoric, and performance (1992)Ethnography, rhetoric, and pe…Film Theory and Criticism (1985)Film Theory and Criticism« Si cette histoire vous amuse, on peut la recommencer » (2012)« Si cette histoire vous amus…“Between Jennings and Jones”: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy (2012)“Between Jennings and Jones”:…Speech Acts (1969)Theory in Anthropology since the Sixties (1984)Writing Culture (1986)Critical pedagogy and predatory culture (1994)Communication Theory as a Field (1999)A typology of photographic representations for tourism: Depictions of groomed spaces (2007)The Presentation of Self in Everyday Life. (1956)How To Do Things With Words (1975)STORIES OF THE STORYTELLING ORGANIZATION: A POSTMODERN ANALYSIS OF DISNEY AS "TAMARA-LAND". (1995)The Interpretation of Cultures (2017)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Introduction: Development Theory and Environment in an Age of Market Triumphalism (1993)The citizen-consumer hybrid: ideological tensions and the case of Whole Foods Market (2007)Destination Image: A Meta-Analysis of 2000–2007 Research (2010)Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition (1996)Beyond the commons : the expansion of the Irish Music Rights Organisation, the elimination of uncertainty, and the politics of enclosure (2002)To Paris and Back: Violeta Parra's Transnational Performance of Authenticity (2013)3. Constructing National Interests (1996)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Normative theories of the media: journalism in democratic societies (2009)“Where My Girls At?” (2002)“Check On It” (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)The Mirage of an Unmarked Whiteness (2001)Becoming and Being Hopeful: Towards a Theory of Affect (2006)Social movements and cultural transformation: popular music in the 1960s (1995)Art music from 1800 to 1860 (1998)Belief and the American Folk (2000)Popular Culture and Oral Traditions in African Film (1988)The queen Christina tie‐ups: Convergence of show window and screen (1989)Popular culture and professional identity: Accountants in the movies (1994)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 2006Reading the Popular705 cited
  • 1993We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture.367 cited
  • 1994Sound and vision: the music video reader298 cited
  • 1985Film Theory and Criticism298 cited
  • 1992Ethnography, rhetoric, and performance174 cited
  • 2018Ethnography, Rhetoric, and Performance121 cited
  • 1994Transforming tradition: folk music revivals examined110 cited
  • 1995Transforming Tradition: Folk Music Revivals Examined72 cited
  • 2004The Portable Community: Mobility and Modernization in Bluegrass Festival Life59 cited
  • 1998The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘13 cited

Cited by

  • 2012“Between Jennings and Jones”: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy4 cited
  • 2012« Si cette histoire vous amuse, on peut la recommencer »4 cited

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