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Enchanting spaces: echo and reverberation at Romanian popular parties
16 references·1 citing·30 second hop
Enchanting spaces: echo and reverberation at Romanian popular parties (2013)Enchanting spaces: echo and reverberation…Rock: The Primary Text (2018)Rock: The Primary TextHumains, non-humains (2011)Humains, non-humainsBalkan popular culture and the Ottoman ecumene: music, image, and regional political discourse (2008)Balkan popular culture and th…« Des espaces autres » (2004)« Des espaces autres »The poetics of rock: cutting tracks, making records (2002)The poetics of rock: cutting …The Poetics of Rock (2001)The Poetics of RockArt and Agency: An Anthropological Theory (2000)Art and Agency: An Anthropolo…Art and Agency: An Anthropological Theory (1999)Art and Agency: An Anthropolo…Art And Agency (1998)Art And AgencyVogel's Net (1996)Vogel's NetAnthropology, Art, and Aesthetics (1995)Anthropology, Art, and Aesthe…Said, Edward W. (1993)Said, Edward W.The Technology of Enchantment and the Enchantment of Technology (1992)The Technology of Enchantment…Technology and Magic (1988)Technology and MagicSound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…The Aesthetics of Music (1981)The Aesthetics of MusicDes cultures enregistrées aux cultures de l’enregistrement : l’ethnomusicologie à un tournant épistémologique ? (2022)Des cultures enregistrées aux…Mind, Language and Reality (1975)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)The Dynamics of Organizational Identity (2002)Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Long-term musical group interaction has a positive influence on empathy in children (2012)The Predicament of Culture (1988)Entangled Objects (1991)Art and Agency An Anthropological Theory (1998)The return to hospitality (2012)Captivating algorithms: Recommender systems as traps (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Unravelling Foucault’s ‘different spaces’ (2006)On the Role Played by Temporary Geographical Proximity in Knowledge Transmission (2008)The Geographies of Heterotopia (2013)The cultural biography of objects (1999)The Tyranny of Transparency (2000)Material culture after text: re‐membering things (2003)Human-Machine Reconfigurations: Plans and Situated Actions (2006)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Club cultures: music, media and subcultural capital (1996)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)Wired for sound: engineering and technologies in sonic cultures (2005)“Heritage rock”: Rock music, representation and heritage discourse (2009)Soundscapes: Toward a Sounded Anthropology (2010)Orientalism and the Postcolonial Predicament (1993)Ethnicity: Anthropological Constructions (2003)9. The Generation Of Postmemory (2008)Feasting, Craft Specialization, and the Ritual Mode of Production in Small‐Scale Societies (2002)Reading the Past (2003)
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References

  • 1998Art And Agency3,452 cited
  • 1999Art and Agency: An Anthropological Theory1,929 cited
  • 1992The Technology of Enchantment and the Enchantment of Technology751 cited
  • 2004« Des espaces autres »682 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 2000Art and Agency: An Anthropological Theory611 cited
  • 1993Said, Edward W.589 cited
  • 1981The Aesthetics of Music399 cited
  • 1996Vogel's Net315 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 1988Technology and Magic211 cited
  • 2001The Poetics of Rock163 cited
  • 1995Anthropology, Art, and Aesthetics142 cited
  • 2018Rock: The Primary Text91 cited
  • 2011Humains, non-humains88 cited
  • 2008Balkan popular culture and the Ottoman ecumene: music, image, and regional political discourse51 cited

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  • 2022Des cultures enregistrées aux cultures de l’enregistrement : l’ethnomusicologie à un tournant épistémologique ?

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4 cited