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Cited by

• 2019Regional patterns in medieval European glass composition as a provenancing tool40 cited
• 2019Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius40 cited
• 2013Characterization of alteration phases on Potash–Lime–Silica glass30 cited
• 2019The Grande Rose of the Reims Cathedral: an eight-century perspective on the colour management of medieval stained glass29 cited
• 2008Weathering patinas on the medieval (S. XIV) stained glass windows of the Pedralbes Monastery (Barcelona, Spain)28 cited
• 2017Understanding the mechanisms of Si–K–Ca glass alteration using silicon isotopes24 cited
• 2012Raman study of model glass with medieval compositions: artificial weathering and comparison with ancient samples21 cited
• 2012Structural and vibrational characterization of medieval like glass samples20 cited
• 2008From Siena to Barcelona: Deciphering colour recipes of Na-rich Mediterranean stained glass windows at the XIII–XIV century transition16 cited
• 2009Composition of the base glass used to realize the stained glass windows by Duccio di Buoninsegna (Siena Cathedral, 1288–1289 AD): A geochemical approach14 cited
• 2018Effect of surface roughness on medieval-type glass alteration in aqueous medium12 cited
• 2023Alteration of medieval stained glass windows in atmospheric medium: review and simplified alteration model10 cited