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Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music
13 references·0 citing·28 second hop
Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music (2007)Towards Greater Objectivity in Music Theo…The cognitive revolution: a historical perspective (2003)The cognitive revolution: a h…The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Analysis and Cognition of…On the Entropy of Music: An Experiment with Bach Chorale Melodies (1992)On the Entropy of Music: An E…Consciousness and the Computational Mind (1988)Consciousness and the Computa…Consciousness and the Computational Mind (1987)Consciousness and the Computa…Entropy as a Measure of Style: The Influence of Sample Length (1983)Entropy as a Measure of Style…Information Theory for Musical Continua (1981)Information Theory for Musica…Structure and Information in Webern's Symphonie, Op. 21 (1967)Structure and Information in …Information Theory Analyses of Four Sonata Expositions (1966)Information Theory Analyses o…Style as Information (1958)Style as InformationInformation as a Measure of Structure in Music (1958)Information as a Measure of S…Syntactic Structures (1957)Syntactic StructuresMEANING IN MUSIC AND INFORMATION THEORY (1957)MEANING IN MUSIC AND INFORMAT…The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Human Problem Solving (1972)Emotional intelligence: New ability or eclectic traits? (2008)Three generations of distance education pedagogy (2011)Affective–Reflective Theory of physical inactivity and exercise (2017)On Rehearing Music (1961)Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels (2003)Pitch and Pitch Structures (2004)Entropy as a Measure of Musical Style: The Influence of a Priori Assumptions (1990)Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool (2008)M eyer's Anvil: Revisiting the Schema Concept (2012)Anatomy of a Performance: Sources of Musical Expression (1996)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Universals in the world’s musics (2011)Tonal Hierarchies in Jazz Improvisation (1995)“What” and “where” in spatial language and spatial cognition (1993)The Semantics of English Prepositions (2003)Purpose in Life as a System that Creates and Sustains Health and Well-Being: An Integrative, Testable Theory (2009)On the Moods of a Music-Logic (1960)Social Interaction and Musical Preference (1982)Enacting Musical Time (2019)Consciousness cannot be separated from function (2011)Rules and representations (1980)From usage to grammar: The mind's response to repetition (2006)Cognitive Grammar (2008)An investigation into the linear and nonlinear correlation of two music walk sequences (2008)Melodies as Maximally Disordered Systems under Macroscopic Constraints with Musical Meaning (2019)Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis (2020)
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References

  • 1957Syntactic Structures7,857 cited
  • 2003The cognitive revolution: a historical perspective1,285 cited
  • 1988Consciousness and the Computational Mind1,051 cited
  • 1987Consciousness and the Computational Mind1,005 cited
  • 1993The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model491 cited
  • 1957MEANING IN MUSIC AND INFORMATION THEORY243 cited
  • 1983Entropy as a Measure of Style: The Influence of Sample Length133 cited
  • 1958Style as Information125 cited
  • 1992On the Entropy of Music: An Experiment with Bach Chorale Melodies66 cited
  • 1958Information as a Measure of Structure in Music44 cited
  • 1981Information Theory for Musical Continua42 cited
  • 1966Information Theory Analyses of Four Sonata Expositions38 cited
  • 1967Structure and Information in Webern's Symphonie, Op. 2136 cited

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