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Fiber Optics Reflectance Spectroscopy: A Non-destructive Technique for the Analysis of Works of Art
3 references·4 citing·31 second hop
Fiber Optics Reflectance Spectroscopy: A Non-destructive Technique for the Analysis of Works of Art (2005)Fiber Optics Reflectance Spectroscopy: A …Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-Destructive Spectroscopic…Non-Destructive Spectroscopic Investigations on Paintings Using Optical Fibers (1992)Non-Destructive Spectroscopic…A Color Analysis of the Brancacci Chapel Frescoes (1991)A Color Analysis of the Branc…Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System (2022)Acquisition of High Spectral …Monitoring UV-accelerated alteration processes of paintings by means of hyperspectral micro-FTIR imaging and chemometrics (2021)Monitoring UV-accelerated alt…Rubens' painting as inspiration of a later tapestry: Non-invasive analyses provide insight into artworks’ history (2019)Rubens' painting as inspirati…In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy) (2017)In situ non-invasive characte…Technical Studies in the Field of the Fine Arts (1977)Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers (2011)Non-invasive study of natural dyes on historical textiles from the collection of Michelangelo Guggenheim (2018)Reflectance imaging spectroscopy in heritage science (2020)Ancient Egyptian Materials and Industries (1963)National Gallery Technical Bulletin (1979)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)Painting Materials: A Short Encyclopedia (2011)Retouching and Colour Matching: The Restorer and Metamerism (1985)Multiple Pigment Selection for Inpainting Using Visible Reflectance Spectrophotometry (2002)The ancient stained windows by Nicolò di Pietro Gerini in Florence. A novel diagnostic tool for non-invasive in situ diagnosis (2007)Non-invasive mapping methods for pigments analysis of Roman mural paintings (2020)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching (2020)Multi-Scale X-ray Imaging of the Pigment Discoloration Processes Triggered by Chlorine Compounds in the Upper Basilica of Saint Francis of Assisi (2023)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)First combined application of photoacoustic and optical techniques to the study of an historical oil painting (2021)Mapping Materials and Dyes on Historic Tapestries Using Hyperspectral Imaging (2023)Historical Pigments and Paint Layers: Raman Spectral Library with 852 nm Excitation Laser (2024)The Organic Chemistry of Museum Objects (1988)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Connecting Rheological Properties and Molecular Dynamics of Egg‐Tempera Paints based on Egg Yolk (2021)Clay and iron oxide pigments in the history of painting (2003)IRIS : A novel integrated instrument for co‐registered MA‐XRF mapping and VNIR‐SWIR hyperspectral imaging (2023)
this work references cited by second hop

References

  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited
  • 1991A Color Analysis of the Brancacci Chapel Frescoes66 cited
  • 1992Non-Destructive Spectroscopic Investigations on Paintings Using Optical Fibers39 cited

Cited by

  • 2022Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System19 cited
  • 2019Rubens' painting as inspiration of a later tapestry: Non-invasive analyses provide insight into artworks’ history19 cited
  • 2017In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy)17 cited
  • 2021Monitoring UV-accelerated alteration processes of paintings by means of hyperspectral micro-FTIR imaging and chemometrics16 cited

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