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Music and the English Mystery Plays
7 references·3 citing·29 second hop
Music and the English Mystery Plays (1973)Music and the English Mystery PlaysThe Towneley Plays (2010)The Towneley PlaysNon-Cycle Plays and Fragments (1972)Non-Cycle Plays and FragmentsA Social History of English Music (1965)A Social History of English M…Music in Medieval Britain (1960)Music in Medieval BritainThe Oxford Book of Carols (1928)The Oxford Book of CarolsTwo Coventry Corpus Christi plays (1902)Two Coventry Corpus Christi p…The sarum missal (1894)The sarum missalThe Towneley and Chester Plays of the Shepherds: The Dynamic Interweaving of Power, Conflict, and Destiny (2003)The Towneley and Chester Play…The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption (1991)The Hierosphthitic Topos, or …Musical Structure in the Second Shepherds' Play (1988)Musical Structure in the Seco…The Play Called Corpus Christi (1966)The New Harvard Dictionary of Music (1988)Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350 (1989)The English Mystery Plays (1972)Age of Chivalry: Art in Plantagenet England 1200-1400 (1987)The Apocryphal New Testament (2010)The Discovery of the Mind: The Greek Origins of European Thought (1954)Scenes from the Drama of European Literature (1985)Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages (1986)Musical Notes to The Annotated Alice (1988)‘Sacred and Secular: Identity, Style, and Performance in Two Singing Traditions from the Pennines’ (2004)Change, Continuity and Contradictions in May Day Celebrations in Northamptonshire (2008)“You Have Begun a Parlous Pleye”: The Nature and Limits of Dramatic Mimesis as a Theme in Four Middle English ‘Fall of Lucifer’ Cycle Plays (1973)To Out-Herod Herod: The Development of a Dramatic Character (1976)The Winter's Tale and Early Religious Drama (1986)The social implications of demographic change (1990)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)New and Little-Known Fragments of English Medieval Polyphony (1968)The Origins of W1 (1976)Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612 (2009)London texts and literate practice (1999)Monastic productions (1999)National, world and women’s history: writers and readers in post-Conquest England (1999)The Middle English Mystics (1999)Stumbling Blocks Before the Blind (2010)Blood and baptism: kinship, community and christianity in western Europe from the fourteenth to the seventeenth centuries (1973)The End of The Summoner’s Tale and the Uses of Pentecost (1991)Trifunctionality and the Tree of Charity: Literary and Social Practice in Piers Plowman (1995)
this work references cited by second hop

References

  • 1972Non-Cycle Plays and Fragments145 cited
  • 1965A Social History of English Music130 cited
  • 1902Two Coventry Corpus Christi plays74 cited
  • 1960Music in Medieval Britain50 cited
  • 2010The Towneley Plays26 cited
  • 1894The sarum missal21 cited
  • 1928The Oxford Book of Carols14 cited

Cited by

  • 2003The Towneley and Chester Plays of the Shepherds: The Dynamic Interweaving of Power, Conflict, and Destiny6 cited
  • 1988Musical Structure in the Second Shepherds' Play3 cited
  • 1991The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption3 cited

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