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Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music
7 references·3 citing·38 second hop
Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music (1994)Rock ‘n’ roll Ain't noise pollution: Arti…On Becoming a Rock Musician (2017)On Becoming a Rock MusicianAdolescents and Their Music: If It's Too Loud You're Too Old. (1995)Adolescents and Their Music: …Heavy Metal: A Cultural Sociology. (1992)Heavy Metal: A Cultural Socio…Heavy metal rock music juvenile delinquency and satanic identification (1990)Heavy metal rock music juveni…On Becoming a Rock Musician. (1982)On Becoming a Rock Musician.Conventions and the Production of the Popular Music Aesthetic (1982)Conventions and the Productio…The Social Psychology of Music (1970)The Social Psychology of MusicDefining contemporary metal music: Performance, sounds and practices (2019)Defining contemporary metal m…Sound, text and identity in Korn’s ‘Hey Daddy’ (2007)Sound, text and identity in K…Taken to the Extreme: Heavy Metal Cover Songs – The Impact of Genre (2006)Taken to the Extreme: Heavy M…Social Class and the Hidden Curriculum of Work (1980)Three profiles of heavy metal fans: A taste for sensation and a subculture of alienation (1993)The New Criminology (2002)Religion in Popular Music or Popular Music as Religion? A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture (2012)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Theory and Resistance in Education (2024)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Art As Collective Action (1974)Cycles in Symbol Production: The Case of Popular Music (1975)Die Fabrikation globaler Vielfalt (2008)Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey (2010)Behind the magical mystery door: history, mythology and the aura of Abbey Road Studios (2016)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Running with the devil: power, gender, and madness in heavy metal music (1993)The Cambridge Companion to Pop and Rock (2001)Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» (2009)Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetics (2019)The People's Choice: How the Voter Makes Up His Mind in a Presidential Campaign (1968)Approaches to Social Research (1989)The structure and function of communication in society (2007)Burmese Super Trouper: How Burmese Poets and Musicians Turn Global Popular Music intoCopy Thachin (2013)Death metal tonality and the act of listening (1999)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Broken and Becoming God‐Sized: Contemporary Metal Music and Masculine Individualism (2006)Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres (2023)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)A Sociology of the Unmarked: Redirecting Our Focus (1998)Music Scenes: Local, Translocal, and Virtual (2011)Jamming (1990)Non-formal learning: Clarification of the concept and its application in music learning (2011)Music and Mediation: Toward a New Sociology of Music (2012)The effects of music intervention on anxiety in the patient waiting for cardiac catheterization (2001)Purchase occasion influence on the role of music in advertising (2003)Distinguishing between the Meanings of Music: When Background Music Affects Product Perceptions (2005)Making It in a Cover Music Scene: Negotiating Artistic Identities in a “Kmart‐Level Market” (2016)Sustainable and Unsustainable Semi-professionalism: Grassroots Music Careers in Folk and Metal (2016)alternative to what? subcultural capital and the commercialization of a music scene (2005)Explaining Creativity (2023)
this work references cited by second hop

References

  • 1992Heavy Metal: A Cultural Sociology.263 cited
  • 1970The Social Psychology of Music112 cited
  • 1995Adolescents and Their Music: If It's Too Loud You're Too Old.92 cited
  • 2017On Becoming a Rock Musician77 cited
  • 1982On Becoming a Rock Musician.46 cited
  • 1990Heavy metal rock music juvenile delinquency and satanic identification36 cited
  • 1982Conventions and the Production of the Popular Music Aesthetic29 cited

Cited by

  • 2007Sound, text and identity in Korn’s ‘Hey Daddy’14 cited
  • 2019Defining contemporary metal music: Performance, sounds and practices13 cited
  • 2006Taken to the Extreme: Heavy Metal Cover Songs – The Impact of Genre4 cited

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