EVIDENCE: TOWARD A LIBRARY DEFINITION OF EPHEMERA

Timothy G. Young

26 citations0/0 files storedRBM A Journal of Rare Books Manuscripts and Cultural Heritage

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Libraries and Information Services Photographic and Visual Arts Libraries, Manuscripts, and Books

Abstract

In her book Evidence: The Art of Candy Jernigan, the artist works with a palette of what might be called detritus: sketches of crushed cans, cigarette packages, and burnt matches coreside with real bottle caps, crack vials, and even a stuffed rat, all of which form the substance of her work. This obsession with the rejected also is found in her travel journals, pages of which are reproduced in facsimile in the book. In these records of her travels across the United States and around the world, Jernigan ups the ante for the standard travelogue by pasting in cobwebs from . . .

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2012Of Grubs and Other Insects: Constructing the Categories of “Ephemera” and “Literature” in Eighteenth-Century British Writing 2020The Ephemeral Eighteenth Century 2012Animating Ephemera through Oral History: Interpreting Visual Traces of California Gay College Student Organizing from the 1970s 2019Music Ephemera within Library Collections: A Review of the Literature 2019L’histoire du théâtre à Montréal racontée sur le web par BAnQ et trois universités québécoises 2019Research and Instructional Uses of Ephemera and Realia in Academic Library Archival Collections

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