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Improvisation and Pedagogy: Background and Focus of Inquiry
11 references·5 citing·37 second hop
Improvisation and Pedagogy: Background and Focus of Inquiry (2007)Improvisation and Pedagogy: Background an…Experimental Music in Black and White: The AACM in New York, 1970-1985 (2020)Experimental Music in Black a…Free Jazz/Black Power (2015)Free Jazz/Black PowerThe games black girls play: learning the ropes from double-Dutch to hip-hop (2006)The games black girls play: l…Experimental Music in Black and White: The AACM in New York, 1970–1985 (2004)Experimental Music in Black a…The Decline of Improvisation in Western Art Music: An Interpretation of Change (1992)The Decline of Improvisation …Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics (1992)Jazzin' the Classics: The AAC…Border Crossings: Cultural Workers and the Politics of Education (1992)Border Crossings: Cultural Wo…Music of the Common Tongue: Survival and Celebration in Afro-American Music (1989)Music of the Common Tongue: S…Musings: The Musical Worlds of Gunther Schuller (1987)Musings: The Musical Worlds o…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…The Jazz Community (1960)The Jazz CommunityJamming the Classroom (2023)Jamming the ClassroomThe Collaborative Pedagogies of Solo Improvisation (2022)The Collaborative Pedagogies …Feeling to Learn: Ideologies of Race, Aurality, and Manouche Music Pedagogy in France (2021)Feeling to Learn: Ideologies …Improvisation, Enaction, and Self-Assessment (2019)Improvisation, Enaction, and …An Enactive Approach to Learning Music Theory? Obstacles and Openings (2019)An Enactive Approach to Learn…Performance Art: From Futurism to the Present (1988)Noise, the Political Economy of Music (1989)No Respect: Intellectuals and Popular Culture (1990)Between rock and a hard place: narrating nona hendryx's inscrutable career (2006)“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers (2008)The Jazz Image (2010)Black Metropolis--A Study of Negro Life in a Northern City. (1946)Jazz Dance: The Story of American Vernacular Dance (1969)The Significance of the Relationship between Afro-American Music and West African Music (1974)Singing Omar's Song: A (Re)construction of Great Black Music (1998)“Area by Area the Machine Unfolds”: The Improvisational Performance Practice of the Art Ensemble of Chicago (2008)The Interpretation of Music (1955)Grove's Dictionary of Music and Musicians (1970)The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education (2008)The Influence of Conservatory Folk Music Programmes: The Sibelius Academy in Comparative Context (2009)Expert Western Classical Music Improvisers’ Strategies (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Rethinking Agency and Resistance: What Comes After Girl Power? (2009)White Teachers in Urban Classrooms (2013)Towards a Model of Positive Youth Development Specific to Girls of Color: Perspectives on Development, Resilience, and Empowerment (2016)Science Education: Border Crossing into the Subculture of Science (1996)Handbook of Research on Teacher Education (2008)Rethinking Critical Theory and Qualitative Research (2011)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)The Cambridge History of American Music (1998)Musicking — the meanings of performing and listening. A lecture (1999)Editorial Research: Music education in a time of pandemic (2020)Free Jazz and the French Critic (2008)Improvisation : usages et transferts d’une catégorie (2010)Class, Status, and Power among Jazz and Commercial Musicians (1966)Constructive Elements in Jazz Improvisation (1974)Musicians as entrepreneurs or entrepreneurs as musicians? (2018)A Revisionist History of Twelve-Tone Serialism in American Music (2008)“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65 (2012)The Cambridge Companion to Duke Ellington (2014)
this work references cited by second hop

References

  • 1992Border Crossings: Cultural Workers and the Politics of Education2,347 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 2006The games black girls play: learning the ropes from double-Dutch to hip-hop239 cited
  • 1989Music of the Common Tongue: Survival and Celebration in Afro-American Music217 cited
  • 1992The Decline of Improvisation in Western Art Music: An Interpretation of Change94 cited
  • 1987Musings: The Musical Worlds of Gunther Schuller87 cited
  • 1960The Jazz Community45 cited
  • 2015Free Jazz/Black Power36 cited
  • 1992Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics34 cited
  • 2020Experimental Music in Black and White: The AACM in New York, 1970-198528 cited
  • 2004Experimental Music in Black and White: The AACM in New York, 1970–198524 cited

Cited by

  • 2019An Enactive Approach to Learning Music Theory? Obstacles and Openings14 cited
  • 2019Improvisation, Enaction, and Self-Assessment14 cited
  • 2021Feeling to Learn: Ideologies of Race, Aurality, and Manouche Music Pedagogy in France4 cited
  • 2022The Collaborative Pedagogies of Solo Improvisation4 cited

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  • 2023Jamming the Classroom3 cited