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La Structure iconographique d'un art rupestre est-elle une clef pour son interprétation ?
0 references·5 citing·16 second hop
La Structure iconographique d'un art rupestre est-elle une clef pour son interprétation ? (2014)La Structure iconographique d'un art rupe…A matter of diversity? Identifying past hunter-gatherer aggregation camps through data driven analyses of rock art sites (2020)A matter of diversity? Identi…Modes of space appropriation in the decorated caves of El Castillo and La Pasiega (Puente Viesgo, Cantabria, Spain) (2019)Modes of space appropriation …Symbolism and Becoming a Hunter-Gatherer (2013)Symbolism and Becoming a Hunt…De l'iconographie d'un art rupestre à son interprétation anthropologique (2012)De l'iconographie d'un art ru…Shamanism and rock art interpretation (2006)Shamanism and rock art interp…Ritual and Religion in the Making of Humanity (1999)The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature (2000)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2021)Contemporary Graffiti as a Tool for Studying Prehistoric Art: A Classification Attempt (2023)La Pensée sauvage (1962)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Ascent to the sky. A shamanic initiatory engraving from the Burrup Peninsula, northwest Western Australia (1992)Birth of the Rainbow Serpent in Arnhem Land rock art and oral history (1996)Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’ in Western Arnhem Lane (NT), Australia (2000)Prehistoire de l'art Occidental. (1966)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Style and Social Information in Kalahari San Projectile Points (1983)Inference to the Best Explanation (2003)
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  • 2019Modes of space appropriation in the decorated caves of El Castillo and La Pasiega (Puente Viesgo, Cantabria, Spain)9 cited
  • 2020A matter of diversity? Identifying past hunter-gatherer aggregation camps through data driven analyses of rock art sites5 cited
  • 2013Symbolism and Becoming a Hunter-Gatherer4 cited
  • 2012De l'iconographie d'un art rupestre à son interprétation anthropologique1 cited
  • 2006Shamanism and rock art interpretation0 cited

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