References

• 2008The Danger of Music and Other Anti-Utopian Essays209 cited
• 1987Composition With Pitch-Classes167 cited
• 1999Scales, Sets, and Interval Cycles: A Taxonomy55 cited
• 1977BERG'S MASTER ARRAY OF THE INTERVAL CYCLES41 cited
• 1996The Music of Alban Berg36 cited
• 1987The Berg-Schoenberg Correspondence32 cited
• 2007Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók28 cited
• 1995Organic Development and the Interval Cycles in Bartók's Three Studies, Op. 1824 cited
• 2003Dual Interval Space in Twentieth-Century Music23 cited
• 1990Interval Cycles as Compositional Resources in the Music of Charles Ives22 cited
• 1999Defining Modular Transformations20 cited
• 2000Broken and Unbroken Interval Cycles and Their Use in Determining Pitch-Class Set Resemblance16 cited
• 2004Aspects of British music of the 1990s16 cited
• 2006C o‐operating C ontinuities in the M usic of T homas A dès12 cited
• 2004Tempestuous Times: The Recent Music of Thomas Ades10 cited
• 2009A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”