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Cited by

• 2014Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination466 cited
• 2002Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study255 cited
• 2012Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies204 cited
• 2007Psychology for Musicians192 cited
• 2009A comparison of modes of communication between members of a string quartet and a jazz sextet117 cited
• 2006Shared performance cues in singing and conducting: a content analysis of talk during practice112 cited
• 2010Emotion and Motivation in the Lives of Performers108 cited
• 2006The roles of student musicians in quartet rehearsals106 cited
• 2006Ensemble Musicians’ Synchronization With Conductors’ Gestures: An Automated Feature-Extraction Analysis95 cited
• 2019Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance95 cited
• 2013Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles86 cited
• 2016Musical Ensemble Performance77 cited
• 2013Crossmodal interactions in the perception of expressivity in musical performance76 cited