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Cited by

• 2019Class, Control, and Classical Music248 cited
• 2008Culture and the Arts: From Art Worlds to Arts-in-Action104 cited
• 2010Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime35 cited
• 2015The musical body : how gender and class are reproduced among young people playing classical music in England30 cited
• 2012Expertise, authority and embodied pedagogy: operatic masterclasses24 cited
• 2018Prefiguring the future24 cited
• 2010Making Opera Work: Bricolage and the Management of Dramaturgy20 cited
• 2012Entr’acte: Mobile Choreography and Sydney Rail Commuters20 cited
• 2021Introversive semiosis in action: depictions in opera rehearsals20 cited
• 2011Performance Perspectives17 cited
• 2019Voices and Practices in Applied Linguistics: Diversifying a Discipline15 cited
• 2017Situated Learning in Opera Training: A Case Study of Young Artists’ Experiential Learning in a Professional Opera Production3 cited
• 2010Music Traditions, Cultures, and Contexts3 cited