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'SALSA NO TIENE FRONTERA': ORQUESTA DE LA LUZ AND THE GLOBALIZATION OF POPULAR MUSIC
14 references·7 citing·28 second hop
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this work references cited by second hop

References

  • 1997Transnational Connections: Culture, People, Places.2,273 cited
  • 1993Globalization: social theory and global culture1,644 cited
  • 1997Saying something: jazz improvisation and interaction788 cited
  • 1997Ulf Hannerz. Transnational connections. Culture, people, places. Routledge, London, 1996492 cited
  • 1994Displacements : cultural identities in question453 cited
  • 1991Studying Popular Music246 cited
  • 1998Global pop: world music, world markets204 cited
  • 1993Re-made in Japan: Everyday Life and Consumer Taste in a Changing Society.201 cited
  • 2017L'échange symbolique et la mort196 cited
  • 1988Notes on World Beat115 cited
  • 1984Popular Music in Puerto Rico: Toward an Anthropology of "Salsa"112 cited
  • 1998Everynight life: culture and dance in Latin/o America53 cited
  • 1992Salsiology44 cited
  • 1993Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City38 cited

Cited by

  • 2008American Country Music in Japan: Lost Piece in the Popular Music History Puzzle28 cited
  • 2020Comparative Discourse on J-pop and K-pop: Hybridity in Contemporary Local Music

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16 cited
  • 2009Westernization and cultural resistance in tattooing practices in contemporary Japan12 cited
  • 2003Salsa as Popular Culture: Ethnic Audiences Constructing an Identity10 cited
  • 2015Keepin’ it real? Life, death, and holograms on the live music stage8 cited
  • 2015Music on the move, as object, as commodity4 cited
  • 2009Imagining Okinawa4 cited