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Programming music: radio as mediator
1 references·10 citing·46 second hop
Programming music: radio as mediator (1986)Programming music: radio as mediatorUnderstanding Media (1997)Understanding MediaAttached by the Product: A Socio-Material Direction in the Sociology of Art (2012)Attached by the Product: A So…Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production (2010)Smooth jazz: a case study in …MUSIC RADIO AND GLOBAL MEDIATION (2010)MUSIC RADIO AND GLOBAL MEDIAT…Music and Marketing (2010)Music and MarketingNew Danish Screen – an organizational facilitation of creative initiatives: gatekeeping and beyond (2009)New Danish Screen – an organi…Cultural Technologies and the “Evolution” of Technological Cultures (2009)Cultural Technologies and the…L’écoute de la radio en France. Hétérogénéité des pratiques et spécialisation des auditoires (2007)L’écoute de la radio en Franc…Radio Space and Industrial Time: The Case of Music Formats (2003)Radio Space and Industrial Ti…Radio broadcasting in Canada: the case of ‘transformat’ music (1990)Radio broadcasting in Canada:…Locating listening: Technological space, popular music, Canadian mediations (1988)Locating listening: Technolog…Empire and Communications (1950)Noise: The Political Economy of Music (1986)Finding an alternative: Music programming in US college radio (2007)Sound in the Age of Mechanical Reproduction (2010)Radio Fields: Anthropology and Wireless Sound in the 21st Century (2012)Spatial divisions of labour: Social structures and the geography of production (2017)Central and Peripheral Routes to Advertising Effectiveness: The Moderating Role of Involvement (1983)Advances in Consumer Research (1992)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)La persuasión de la música en la publicidad. El ejemplo Coca-Cola. (2014)Music as Advertisement (2021)Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic (2023)Radio Times: The Temporal Arrangements of Broadcasting in the Modern World. (1986)Critical response:The real world of audiences (1988)Télévision : le presque-public (2000)The Responsibility of Forms: Critical Essays on Music, Art, and Representation (1986)Music and Society: The Politics of Composition, Performance and Reception. (1988)Women's Pictures: Feminism and Cinema (1994)Distinction: A Social Critique of the Judgement of Taste. (1985)The Knowledge-Creating Company (1995)Measuring ‘success’ in film policy: evaluating the New Zealand Film Commission’s Short Film Fund (2010)Discourses of legitimation in New Zealand’s film policy (2012)Demystifying cultural intermediaries: who are they, what do they do and where can they be found in England? (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Reassembling the Social (2005)Reassembling the social: An introduction to actor‐network‐theory (2008)Imagination Laboratory: Making Sense of Bio-Objects in Contemporary Genetic Art (2016)Musical Relationships: Intersections of Race, Gender, Genre, and Listening Situation (2020)Art as Experience (1934) (2026)The culture industry : selected essays on mass culture (1991)Performing Rites (1996)Performing rites: on the value of popular music (1997)The shifting role of the listeners in the mediamorphosis process of culture radio: A case study of Jodhipati 106.1 FM (2019)Advantages of implementing mediamorphosis in supporting Using-ethnic programs at Radio Sritanjung FM Banyuwangi (2021)Turn On, Tune In, Drift Off (2022)‘Play it again Sam’: Some notes on the productivity of repetition in popular music (1983)Popular Music and Communication. (1988)Country music and cultural industry: mediating structures in transnational media flow (2002)Classic Hits in a Digital Era: Music Radio and the Australian Music Industry (2007)Public Policy and the Mariposa Folk Festival: Shared Ideals in the 1960s and 1970s (2011)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)Gender Trouble: Feminism and the Subversion of Identity (1991)THE AESTHETICS OF RISK (1999)Netting Scholars (2001)The Contract as Social Artifact (2003)
this work references cited by second hop

References

  • 1997Understanding Media130 cited

Cited by

  • 2003Radio Space and Industrial Time: The Case of Music Formats41 cited
  • 2010Music and Marketing38 cited
  • 2012Attached by the Product: A Socio-Material Direction in the Sociology of Art32 cited
  • 2010Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production16 cited
  • 1988Locating listening: Technological space, popular music, Canadian mediations16 cited
  • 1990Radio broadcasting in Canada: the case of ‘transformat’ music14 cited
  • 2009Cultural Technologies and the “Evolution” of Technological Cultures12 cited
  • 2009New Danish Screen – an organizational facilitation of creative initiatives: gatekeeping and beyond11 cited
  • 2007L’écoute de la radio en France. Hétérogénéité des pratiques et spécialisation des auditoires9 cited
  • 2010MUSIC RADIO AND GLOBAL MEDIATION3 cited

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